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Jürgen Lossau hat getan, wovon viele nur träumen: Er hat seine Leidenschaft zum Beruf gemacht. In diesem Interview erzählt er, was das Medium Film für ihn so besonders macht.
Why do we love the 110 format so much? Is it the grain, the pocketability, the convenience or the nostalgia? It's everything and more! In this article, community members answer this one simple question about the beloved format.
Wir nehmen Abschied von einem großen Lomographen und noch größeren Menschen. Kaum einer war so aktiv und beliebt in der Community wie der Berliner Klaus Wendland, besser bekannt als @klawe. Seine hilfsbereite Art, sein tiefes Verständnis für die Fotografie und seine schier grenzenlose Neugier werden wir schmerzlich vermissen, aber nie vergessen.
We mourn the passing of beloved Lomographer, Klaus Wendland, better known in the community as @klawe. His kind and helpful nature, curiosity, and passion for capturing life through film will be much missed, but always remembered.
In her project "Being Framed", Dutch photographer Laura Chen contrives a fictional detective story using film photography, collage and text. We spoke with Laura about truth, deception, and the unexpected link between photography and criminology.
When a camera gives you double your frame it's the perfect opportunity to turn those 72 shots into something unexpected. For today's tipster, we have a quick and fun idea for making unconventional portraits.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
I chose to shoot 72 rectangular half frames on the Diana and strange things happened: lots of unintended multiexposures etc. Anyway interesting results, also my first home caffenol developing experience which went well.
