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"A scene doesn't always refer to a moment, but it's a sequence that exists within a story," says Yusuke Nakamura. The Japanese photographer used the new LomoChrome Turquoise formula to shift "ordinary places" into something altogether unreal.
My first try roll of Kodak Ektachrome Slide Duplicating film (5071) shot at ISO 50, used red screw on filter, because I saw on a Lomo article that the pics would otherwise be very green, not doing that again tho! :D (You see some pics that I didnt edit the white balance in Negative Lab Pro) Next roll I'm gonna try to shoot normal. Developed for 4minutes in Cinestill CS41
My first try roll of Kodak Ektachrome Slide Duplicating film (5071) shot at ISO 50, used red screw on filter, because I saw on a Lomo article that the pics would otherwise be very green, not doing that again tho! :D (You see some pics that I didnt edit the white balance in Negative Lab Pro) Next roll I'm gonna try to shoot normal. Developed for 4minutes in Cinestill CS41
My first try roll of Kodak Ektachrome Slide Duplicating film (5071) shot at ISO 50, used red screw on filter, because I saw on a Lomo article that the pics would otherwise be very green, not doing that again tho! :D (You see some pics that I didnt edit the white balance in Negative Lab Pro) Next roll I'm gonna try to shoot normal. Developed for 4minutes in Cinestill CS41
Cinestill 800t, shot through a Nikonl35AF rated at iso400 due to the camera not rating any higher than 400. I set the iso at 400 and let the camera do it's thing, didn't tell the lab to push or pull, everything still turned out okay!
Cinestill 800t, shot through a Nikonl35AF rated at iso400 due to the camera not rating any higher than 400. I set the iso at 400 and let the camera do it's thing, didn't tell the lab to push or pull, everything still turned out okay!
Photographer Edd Carr impressed us all with his amazing video animation made entirely from cyanotype prints. Now he's back to tell us about his latest analogue video made for DUST Magazine's editorial on fashion icon Vivienne Westwood as part of this year's London Fashion Week.
Phootgrapher Jacint Juhasz shares a creative monochromatic realm in which the spontaneous and unplanned turn out to be as artfully composed as they can be.
Black and white has always been part of documentary photographer Dannah Gottlieb's photographical lexicon, but never with an ISO as low as the new Fantôme Kino B&W ISO 8 Film. She gave the new film a spin in Brooklyn's urban DUMBO neighborhood, playing around with the city's lines and lights.
Guided by creative photographer Ra Friedman on January 13 at our new DUMBO office space, we constructed 35mm pinhole cameras, complete with guillotine shutters. We then let them loose on the historical and picturesque DUMBO neighborhood to capture some unexpected lo-fi photography goodness.
Taiwanese-American Lomographer Shannon Fong shares how her passion for analogue photography was reignited by a singular life moment. She also shares with us her adventures with the Lomo'Instant Automat!
