We and our partners use technologies, such as cookies, to recognize you and show you more of what you like. Please read our Privacy Policy to learn more. By using this website you agree to the use of those technologies.
I agree.
100 iso expired film pushed at 400 iso. I was going to visit the Rodin museum in Paris.. and fell on the Dior defilé during the fashion week... I took very few pics (there were so many photographers..) but it really is another world with all those fashion freaks hahaha...
100 iso expired slide pushed at 400...
Check out this blog entry for the light flares challenge: http://www.lomography.com/homes/elvismartinezsmith/blog/8706-elvis-martinez-challenges-you-n2
Experimentation and doing what seems to be the impossible is the creed for every Lomographer. So, with a burst of inspiration and determination, i made my very own egg pinhole camera, the Pinhegg. The difficulties and effort were worth it!
When I was a student at the Fine Arts Academy in Perugia, I fell in love with stenopeic photography and started gathering every kind of document I could about it and its technical evolution. I asked for some information from my photography teacher, Antonio Todini - He suggested that I search "Pinhole Photography" on the internet and as a way of remembering things said: “Pinhole, it sounds like pinolo (pine nut, in Italian), but with the 'H' after the 'N' and the final 'E'”. Since that moment the little nut planted itself in my mind and grew in the form of a challenge to make my very own pine nut pinhole camera!
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The SFX yielded 12 rather flat but printable negatives. I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The Rollei yielded only 5 scannable negatives (overexposed). I'll take what I learned here and try again metering the films individually.
The premise of this test was three films, shot under the same conditions. All three were shot in the same camera, same day. I metered for an arbitrary iso of 8 and bracketed (sometimes) one or two stops over, as you can't really meter for IR. All three rolls were then stand processed in Rodinal (1+100 for 1 hr). The Rollei yielded only 5 scannable negatives (overexposed). I'll take what I learned here and try again metering the films individually.
