When I was a student at the Fine Arts Academy in Perugia, I fell in love with stenopeic photography and started gathering every kind of document I could about it and its technical evolution. I asked for some information from my photography teacher, Antonio Todini - He suggested that I search "Pinhole Photography" on the internet and as a way of remembering things said: “Pinhole, it sounds like pinolo (pine nut, in Italian), but with the 'H' after the 'N' and the final 'E'”. Since that moment the little nut planted itself in my mind and grew in the form of a challenge to make my very own pine nut pinhole camera!
After eating the pine nut fruit, I used the sides of the shell as a “camera obscura”. I needed the inside to be black, so I painted it. Then, I made a hole in the center of one side and applied on it a plate with a pinhole in the center. I also made two little metal rings, whose function was to keep shut the nut and keep off the light.
In a dark room I snipped some photographic paper paper as big as the pinenut size and put them into the little camera, that I called Pinholo. I used my thumb as shutter.
Removing the thumb from the hole and pointing the nut at my face then pointed a flash light right on my face (and going blind for a while).
Back in the dark room, I opened the Pinholo and put the photographic paper bit in the developing bowl. At the center of the paper started to appear something, somehow similar to a portrait… the Pinholo functioned!
With the scanner I enlarged the little negatives and restored them in positive. Eureka! The portraits were real!
So, I was able to turn a pine nut into a functioning stenopeic camera. I was so enthusiast that I based my graduation thesis on the pinholo. And it was a winning choice!
Born as a wordplay, soon the pinholo became a challenge and, years later, it still is intriguing, while I still play and take on new challenges…
Kodak cameras started a photography revolution that progresses to this day. See its evolution and 125 years of existence in this exhibit at the George Eastman House International Museum of Photography and Film.
In the fourth and final installment of his Icelandic chronicles, lomographer Andrea Russo opens up about their continuous exploration of the country's unique and majestic landscape, shares his thoughts on Iceland being a vital source of inspiration and creativity for its artists, and hints on returning to the place that has captured his heart.
In April of this year I had the chance to test the Petzval Lens and to write a review on it for the German photography forum Kwerfeldein. The lens excited me from the very beginning, at the time it was introduced on Kickstarter. I was afraid that once I had tested the lens, I would want to have one of my own! Well, that’s what happened; a year later, I finally bought my very own Petzval lens.
Every summer I get a burst of analogue excitement when I see the flowers starting to bloom. My favorite summer pastime is to take glorious shots of plants and flowers, and for perfect dreamy shots, I like to use the Diana Close-Up lens. Join me as I take you through a garden of analogue delights.
You want your subject be the center of attention? Petzval lens photos are recognizable for sharpness and crispness in the centre, strong color saturation, wonderful swirly bokeh effect, artful vignettes and narrow depth of field that will make your subjects stand out!
We all know him as the man behind some of the striking street photographs in the community and the inspirational "A Salute to the Masters" series in the magazine. But did you know that he is also an engineering and electronics teacher and a ham radio operator? In this interview, Davide Tambuchi opens up about his fascination with radio, bikes, Subbuteo, and of course analog photography!
My 2015 resolution is to do 12 photography projects, one for every month. In July, I tried freelensing or unscrewing the lens from my SLR and holding it in front of the camera body. By tilting the lens slightly I was able to change the focus. For this experiment, I used my Konstruktor and Olympus OM-1.
In photography, we notice the surface first. The color and texture of things help us imagine what’s beneath. Doors, part of a building’s skin, have this appeal. They suggest how long a structure has been around and what sort of fellows live inside. They are details that fascinate Lomographers, judging from the many LC-A 120 snaps of intriguing entrances.
It was our great pleasure to chat with the CEO of Ondu Pinhole Cameras, Elvis Halilović, about his interest in pinhole photography as well as the formation of his company that produces handcrafted pinhole cameras. We found his answers fascinating and we think you will too. Thanks Elvis for being so generous in sharing your story and cameras with us!
This article is dedicated to the multifaceted American photographer George Krause and to his series depicting funeral monuments realized between 1962 and 1963. I was able to know about this series thanks to an important essay on photography written by former Museum of Modern Art (MoMA) Director of Photography, John Szarkowski. For this tribute, I loaded my trusty Praktica camera with a roll of Ilford film and took a series of photos in the Monumental Cemetery in my city, Como. Take a look!
There are quite a few perks that come with working for a film photography company, and the best perk of all is testing out the latest cameras. I can remember buying my LC-A back in 2009 and being really inspired to shoot film again. When the LC-A 120 came along, I couldn't wait to try it out around London. Join me as I test out this super medium format beauty.