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I agree.
June or so, 1996. I have a vague recollection of this being on the CNE grounds, but the CNE isn't until later in the year, so I don't really know why we'd have been there.
I had an idea to visit Venice in winter after watching this movie. Don't Look Now (1973). A married couple grieving the recent death of their little daughter are in Venice when they encounter two elderly sisters, one of whom is psychic and brings a warning from beyond. Stars: Julie Christie, Donald Sutherland, Director: Nicolas Roeg.
I can't quite compete with @hodachrome yet, but hey, the dude's on a whole 'nother level ;-). This was my second 'exposing both sides' (EBS) test roll. The black line through the middle is because the black card I taped as a mask in the back of the camera (instead of using a Splitzer) was a bit too big. Otherwise, though, it turned out pretty good, and I can't wait to go do it again...!
EBS(exposing both sides of the film) filmswap with a great photographer fotobes. I shot on normal side first, then reversed the film and he shot on redscale side.
Check out the lomohome of fotobes. http://www.lomography.com/homes/fotobes/albums/1984555-lc-a-plus-ebs-filmswaps-with-hodachrome.
Also, check out my article about this tipster [How to Take Symmetrical Images with Exposing Both Sides of the Film (EBS)]. http://www.lomography.com/magazine/tipster/2013/01/14/tipster-how-to-take-symmetrical-images-with-exposing-both-sides-of-the-film-ebs
I went back to one of my favourite nearby shooting locations: the ruins of Waverley Abbey. The early morning light streaming through the mist at a low angle was pretty as all hell. I shot these with a roll of 35mm held in the back of my Belair with sponge and a piece of black tape over the film-counter window. The tape wasn't thick enough, which is why there's that red square in these shots, but I kinda like it that way.