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I am totally thrilled by these colours! :D No postprocessing but colour filters applied to the camera for the shootings. The setting: A roll of Kodak Gold 200 in my dear old Yashica FR 1 set on 400 ASA for both exposures, a graveyard with plenty of stunning sculptures, some colourful flowers and a lot of sunshine :)
I am totally thrilled by these colours! :D No postprocessing but colour filters applied to the camera for the shootings. The setting: A roll of Kodak Gold 200 in my dear old Yashica FR 1 set on 400 ASA for both exposures, a graveyard with plenty of stunning sculptures, some colourful flowers and a lot of sunshine :)
I am totally thrilled by these colours! :D No postprocessing but colour filters applied to the camera for the shootings. The setting: A roll of Kodak Gold 200 in my dear old Yashica FR 1 set on 400 ASA for both exposures, a graveyard with plenty of stunning sculptures, some colourful flowers and a lot of sunshine :)
After I exposed this film at a flea market I just sent it to my dear swap-partner @Liaye as a surprise. Her reaction was lovely! This project was a lot of fun as the pictures are fun as well! Thank you so much @Liaye! I exposed the film with my Yashica FR-1 of course
here we have a simple but great Kodak Gold 200 double exposed with 400 ASA in the same camera on the same day. This is one of the yet rare conceptual double exposures of mine -but I am so very happy about what happened here and will stay put on that track! :D
here we have a simple but great Kodak Gold 200 double exposed with 400 ASA in the same camera on the same day. This is one of the yet rare conceptual double exposures of mine -but I am so very happy about what happened here and will stay put on that track! :D
here we have a simple but great Kodak Gold 200 double exposed with 400 ASA in the same camera on the same day. This is one of the yet rare conceptual double exposures of mine -but I am so very happy about what happened here and will stay put on that track! :D
here we have a simple but great Kodak Gold 200 double exposed with 400 ASA in the same camera on the same day. This is one of the yet rare conceptual double exposures of mine -but I am so very happy about what happened here and will stay put on that track! :D
In 2016/17 I was traveling 3,5 months trough Vietnam and India always carrying my huge Pentax 6x7 wit 105mm & 55mm leneses.I"ve shoot around 30 slide films and now after more than two years I finally managed to scans most of them. After spending a looot of money, time and energy I'm very happy to finally be able to share these images.
In 2016/17 I was traveling 3,5 months trough Vietnam and India always carrying my huge Pentax 6x7 wit 105mm & 55mm leneses.I"ve shoot around 30 slide films and now after more than two years I finally managed to scans most of them. After spending a looot of money, time and energy I'm very happy to finally be able to share these images.
In 2016/17 I was traveling 3,5 months trough Vietnam and India always carrying my huge Pentax 6x7 wit 105mm & 55mm leneses.I"ve shoot around 30 slide films and now after more than two years I finally managed to scans most of them. After spending a looot of money, time and energy I'm very happy to finally be able to share these images.
LomoChrome Metropolis is the first new color negative emulsion in over 5 years! At its core lies a unique chemical formula that desaturates the colors, mutes the tones and makes the contrasts pop, specifically developed in our Lomography film manufactory. 📷: Ida Tangeraas
here i used a seriously expired black & white ilford 125 ASA in my Lomo LC-A set on 50 ASA. For development i asked the lab to push that film 1 step to get more contrast. that at least is clear to see ;)
here i used a seriously expired black & white ilford 125 ASA in my Lomo LC-A set on 50 ASA. For development i asked the lab to push that film 1 step to get more contrast. that at least is clear to see ;)
