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Trip to Japan #6, Day 5 - During our visit to the beautiful Fukushūen Garden, I noticed some visitors in cosplay. Since this isn't unusual in Japan, I assumed it was either a private photo shoot or just some young people having fun. In fact, there was a cosplay gathering in the park that included choreographed performances. It was a local amateur event with a very cheerful, relaxed atmosphere. I asked a few cosplayers for a photo, and they kindly agreed to pose. It was really cool.
Trip to Japan #6, Day 5 - During our visit to the beautiful Fukushūen Garden, I noticed some visitors in cosplay. Since this isn't unusual in Japan, I assumed it was either a private photo shoot or just some young people having fun. In fact, there was a cosplay gathering in the park that included choreographed performances. It was a local amateur event with a very cheerful, relaxed atmosphere. I asked a few cosplayers for a photo, and they kindly agreed to pose. It was really cool.
Trip to Japan #6, Day 5 - During our visit to the beautiful Fukushūen Garden, I noticed some visitors in cosplay. Since this isn't unusual in Japan, I assumed it was either a private photo shoot or just some young people having fun. In fact, there was a cosplay gathering in the park that included choreographed performances. It was a local amateur event with a very cheerful, relaxed atmosphere. I asked a few cosplayers for a photo, and they kindly agreed to pose. It was really cool.
This was an extreme film experiment. I got my hands on a roll of Soviet cinema film, Svema LN-9, which expired back in 1987. Because the original Soviet chemistry for this film is completely extinct, I had to rate it all the way down to ISO 6 and cross-process it at home using standard C-41 chemicals.
The results are beautifully unpredictable. The emulsion has severely degraded over the decades, resulting in heavy scratches, destroyed layers, and crazy, toxic color shifts. I tested it on the panel housing blocks of Würzburg and some architectural elements in Stuttgart. The chemical reaction turned these ordinary urban landscapes into a surreal, apocalyptic dreamscape.
This was an extreme film experiment. I got my hands on a roll of Soviet cinema film, Svema LN-9, which expired back in 1987. Because the original Soviet chemistry for this film is completely extinct, I had to rate it all the way down to ISO 6 and cross-process it at home using standard C-41 chemicals.
The results are beautifully unpredictable. The emulsion has severely degraded over the decades, resulting in heavy scratches, destroyed layers, and crazy, toxic color shifts. I tested it on the panel housing blocks of Würzburg and some architectural elements in Stuttgart. The chemical reaction turned these ordinary urban landscapes into a surreal, apocalyptic dreamscape.
This was an extreme film experiment. I got my hands on a roll of Soviet cinema film, Svema LN-9, which expired back in 1987. Because the original Soviet chemistry for this film is completely extinct, I had to rate it all the way down to ISO 6 and cross-process it at home using standard C-41 chemicals.
The results are beautifully unpredictable. The emulsion has severely degraded over the decades, resulting in heavy scratches, destroyed layers, and crazy, toxic color shifts. I tested it on the panel housing blocks of Würzburg and some architectural elements in Stuttgart. The chemical reaction turned these ordinary urban landscapes into a surreal, apocalyptic dreamscape.
As soon as Flic Film announced the release of Fusion 200 35mm film I bought three rolls, shooting 2 of them last week The first roll is now with a pro lab I use for most of my professional work(they'll be another two or so weeks). I brought this set to a provincial drugstore chain and these are the unedited auto scans. I don't have the negative back yet to do my own scans and I'll post a comparison once I do. I think over-exposing was a mistake... and I was a bit bold in my choice, over-exposing by about three stops for a shoot in bright sun at 3pm close to one of the longest days of the year. I'm shooting another roll tomorrow (again in bright sun) and will rate at box speed to see what happens with the colours.
As soon as Flic Film announced the release of Fusion 200 35mm film I bought three rolls, shooting 2 of them last week The first roll is now with a pro lab I use for most of my professional work(they'll be another two or so weeks). I brought this set to a provincial drugstore chain and these are the unedited auto scans. I don't have the negative back yet to do my own scans and I'll post a comparison once I do. I think over-exposing was a mistake... and I was a bit bold in my choice, over-exposing by about three stops for a shoot in bright sun at 3pm close to one of the longest days of the year. I'm shooting another roll tomorrow (again in bright sun) and will rate at box speed to see what happens with the colours.
As soon as Flic Film announced the release of Fusion 200 35mm film I bought three rolls, shooting 2 of them last week The first roll is now with a pro lab I use for most of my professional work(they'll be another two or so weeks). I brought this set to a provincial drugstore chain and these are the unedited auto scans. I don't have the negative back yet to do my own scans and I'll post a comparison once I do. I think over-exposing was a mistake... and I was a bit bold in my choice, over-exposing by about three stops for a shoot in bright sun at 3pm close to one of the longest days of the year. I'm shooting another roll tomorrow (again in bright sun) and will rate at box speed to see what happens with the colours.
