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this proimage 100 exposed with a Pentax K 1000 set on 64 ASA by lovely @https://www.instagram.com/kumeiaa/ we swapped at @https://www.instagram.com/experimentalphotofestival/ I put it in my Yashica FR 1 set on 64 ASA as well. As I knew that the film already got too much light now I dropped it in a soup made of green tea, lemon juice and baking soda for 38 hours. Here is what came out :)
#FSWW founder Pablo Giori https://www.pablogiori.com/ exposed that film (I think it was a Kodak Gold 200) at a light festival in Barcelona after I exposed it at the harbour of Hamburg. We agree that my layer looks like a good background for his illumination :D
#FSWW founder Pablo Giori https://www.pablogiori.com/ exposed that film (I think it was a Kodak Gold 200) at a light festival in Barcelona after I exposed it at the harbour of Hamburg. We agree that my layer looks like a good background for his illumination :D
The city of Ayacucho in the magical land of Peru. Sadly, I only had one roll of 120 film left when I went, and so the majority of my images from this trip are digital (bleh!). Fun fact: this city has more churches than any other in Peru (or so I was told); more than thirty in a few square miles of space.
Le dejamos una Lomo'Instant Square Glass al fotógrafo Carlos Baselga y hoy te presentamos sus maravillosos resultados junto con una pequeña entrevista donde nos cuenta su experiencia con la cámara y más.
Cuando no tenemos fotómetro, cuando lo hemos olvidado en casa, cuando no sabemos usarlo, cuando no nos hemos descargado la aplicación o no tenemos smartphone: ¡La regla Sunny 16 es nuestra salvación!
