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This is the second time I've used this expired film, the 1990 Seagull Color 100. The last time (www.lomography.com/homes/mackiechartres/albums/2459265-2024…) I exposed at ISO 25 with my Minolta AF-C compact camera and developed it at home using Cinestill. The results were very surprising! I wanted to try it again, but with one more stop of exposure (ISO 12) and by leaving the development to my usual lab, Nation Photo. I'm getting the same "impressionist painting" effect, with the white dots, the spots and scratches, the blurred areas, the blended colors... with less contrast, a bit more light, and more detail. The painted look is accentuated, and in some photos it's frankly beautiful—a strange beauty, certainly, but poetic and timeless.
These sunset photos are part of a series of 16 analog shots taken with an Olympus XA2 using expired Kodak ColorPlus 200 film. I really enjoy photographing sunsets on film because of the natural warm tones and the unpredictable colors, especially with expired film. Each frame captures a different moment of the sky as the light slowly disappears #sunset #sunsetphotography #filmphotography #analogphotography #filmisnotdead #35mm #sky #clouds #colors #kodakfilm #expiredfilm #35mmfilm #olympusxa2 #kodakcolorplus200 #lomography #lomocommunity #filmshooters #analoglovers
muse: Magda Gradowska concept & styling: me, but the character was originally created by Koji Suzuki. Canon EOS 300 + Chinon 55mm f1.4 + Lomochrome Purple @ iso 100; developed in Tetenal Colortec 13min. in 30C degrees. #samara #model #dream #purple #lomochrome #canon #chinon #tetenal
Oh Velvia, my favorite of all the Fuji films... The color and pop of cross-processed Velvia is unlike anything else. I took these pictures in my Holga, spread out over a few weeks. I was waiting for good, strong sunlight to take the shots. This particular roll expired in 1999, so double-exposures were a *must*. No way I would be able to get enough light onto the film without double exposing.
