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You may notice I love to travel and visit the great cities of this great big world. But the flip side is... I live in the middle of a farm country swamp. Such is life... I've used my Zenit 12xp many times, and used 3 different lenses on this roll, both with and without a macro tube. So it stands to reason the film itself somehow got messed up. There are a couple photos in this album duplicated with different scan settings, and wildly different results. I wish I knew exactly where things went wrong, so I could replicate these effects!
www.instagram.com/phfomin. Who likes cool photos? I've realized that when shooting digital, I always end up with cooler colors, while film tends to be more saturated. And when I start experimenting with films like 500t, I'm starting to wonder if I should also desaturate my film shots.
So I usually home develop but since I moved states all my equipment is back in storage back in California. Anyway, I had thedarkroom develop these and I guess they’re scanner messed up or something???? Looks pretty cool actually! Camera: NIKON FE Film used: CINESTILL 800t
The first roll with my Holga 135BC, as you can see - some of the photos are not so well framed, I wasn't really used to the viewfinder/lens difference. Still, I'm glad with the results, this roll started my love for this camera.
Bought a Portra 400 film in order to take some family portraits but a Tenerife trip appeared before, so.. I did not like the contrast and colors in sunny days and a lot of edition was required in some of them.. Here to fail, here to learn.
My second roll of #LOMO #redscaleXR #35mm film. Still getting use to how to use it.....so far it is my favorite film! I wish to try either homemade or a diff manufacturer soon. Used my trusty good ol’ #NikonEM #SLR. Hopelessly in lust with #redscale .
The talented Martin Colombet, who specializes in portraits and reports for the press, used the New Jupiter 3+ on his Leica M for a portrait series with striking glances. Lit by the autumnal glow, the faces he captured seem to reveal to us, without artifice, their most intimate secrets.