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Photographer: Peter Henry Emerson. Credit: The National Gallery of Art, Gift of Harvey S. Shipley Miller and J. Randall Plummer, in Honor of the 50th Anniversary of the National Gallery of Art, 1995.63.1.x.
Photographer: Peter Henry Emerson. Credit: The National Gallery of Art, Carolyn Brody Fund and Robert B. Menschel and the Vital Projects Fund, 2010.28.1.
After my trip through the UK in spring I missed one roll of film - the roll that i exposed while meeting @guin, who guided me several hours and many miles through "his" Glasgow. I was quite unhappy that i couldn't find it, when i was back. After developing a roll with pictures i made from my family and a series of self portraits with moustache ( sorry Simon! and, yes i'm a numpty!) i discovered it... when will i learn to keep order in my camera-bag?
After my trip through the UK in spring I missed one roll of film - the roll that i exposed while meeting @guin, who guided me several hours and many miles through "his" Glasgow. I was quite unhappy that i couldn't find it, when i was back. After developing a roll with pictures i made from my family and a series of self portraits with moustache ( sorry Simon! and, yes i'm a numpty!) i discovered it... when will i learn to keep order in my camera-bag?
Part of a photo series of a road trip from South Holland to Normandy/France. Kodak Retina 1A loaded with an expired ORWO DN21 exposed at circa 100 ASA (original ASA is 16!!). Even though hopelessly underexposed I like the outcomes here - the "rain drops" by Samuel Sacedo seem to grow out of the green and develop a strong presence. Stand developed for 70 minutes in Adonal 1+100. More to come - but shots need still some work re sorting and selection.
Part of a photo series of a road trip from South Holland to Normandy/France. Kodak Retina 1A loaded with an expired ORWO DN21 exposed at circa 100 ASA (original ASA is 16!!). Even though hopelessly underexposed I like the outcomes here - the "rain drops" by Samuel Sacedo seem to grow out of the green and develop a strong presence. Stand developed for 70 minutes in Adonal 1+100. More to come - but shots need still some work re sorting and selection.
