From the moment my father showed me the photos he had taken when he was young, I came to the conclusion that, without a doubt, love for photography is in our genes.
I’d known as a youngster that my father enjoyed photography. We have a number of books spanning history and techniques of photography at home. I also knew that he enjoyed taking photos of his friends, my mother and his sisters. He has shown me some of the photos he’d taken before but I was really surprised when a couple of days ago, going through the box room, I came across his huge (over 600) collection of slides. That same night we brought out the projector and spent hours admiring his photos.
There were many photos of mountains and monasteries. Reason being that my father really enjoyed climbing with his friends, and on top of his ropes and snap hooks, he always packed his camera.
What delighted me the most after scanning several of his slides was the tone and the softness of the photos: greys, blues, pastel purples and greens.
It has always been obvious that both of us are really into portraits, macro shots and all sorts of filters. So I was surprised by his earlier shots, his portraits in black and white – their lighting and shadows, depth of field and textures…
I still have a lot to learn and who could be a better teacher than my own father?
Though I am not a professional, photography is in my genes. My father was a photographer and technician in the Air Force and accumulated a number of cameras during his life. This is a story about one of those cameras, a Yashica 635 TLR. I brought the camera—after being in storage for about 55 years—back to life with a roll of Portra 160 during the golden hour at Bellevue Botanical Gardens in Washington.
Everything I had fit into eight boxes and two suitcases. That’s all I had collected in my 22 years on earth, eight boxes and two suitcases. My friends and I moved to Brooklyn in the dead of winter, just after a huge snowstorm. I came from California and had no real experience living in snow. All of it was magical to me.
As a core member of Yamanaka Yuko, a local hiking group based in Hong Kong, AM Renault is deeply in love with nature. He is also part of the creative photography group Six Dimen Boy and is good at intertwining photography with art and design elements -- making photos not only useful for documenting what we see, but also as a means to tickle the imagination. The young and talented AM tried out the New Russar+ lens while traveling in Japan with his father. He talks about his experience and shares the sights from his journey in this Lomography Magazine exclusive.
This article is dedicated to one of the most important masters of photography, Robert Capa. Capa is well known for his photos of war, from the famous image of the Republican Spanish soldier collapsing backwards after being fatally shot to his images taken in Indochina. He was also a co-founder of the famous Magnum Photo Agency, the first cooperative agency for freelance photographers worldwide. For this article, I took advantage of a rare event held in my city, Como, some weeks ago: a military drill for civil protection purposes.
For Crow, his LC-Wide, which he fondly calls Elsie, is the perfect camera for his "Don't think, just shoot" attitude. He takes it wherever he goes and even uses the camera to teach his daughter about photography. In this interview, he shares more about his love for the LC-Wide plus some of the photographs taken by his young apprentice.
For Patrice Baunov, film photography is an "intimate medium that shows the interaction between the photographer and his surroundings during a specific moment." In this interview, our well-rounded newcomer from Berlin, Germany talks about his wide range of interests and how he applies Lomography's "Don't think just shoot" attitude on his photography and daily life.
My dad and I have been riding our bicycles for as long as I can remember. We had no camera back then, so I only have the pictures from our recent rides. Each ride to the island of Khortitsa today is like a reunion with my childhood and my father's care.
Singapore, like Kuala Lumpur and Hong Kong, is a likely stopover when you fly far. The city is a tiny urbanized hub but it's very favorable if you know some high-spirited locals. I was lucky to hook up with king kimbo (@hakimbo), who showed me around. He took my lame limbs to the Gardens by the Bay, an amazing place which was visually striking. I was hugging some artificial trees there when I found a baby—a very big baby.
Years ago, a young Christopher Logan moved to Milan after obtaining a Photography degree from The Art Institute of Fort Lauderdale. Falling in love with the European aesthetic which would later manifest in his photos, he was commissioned by a number of fashion houses, further developing his craft. He is now based in yet another fashion capital - New York City - and is still immersed in the world of fashion.
As you may have read in my previous article, I truly fell in love with Lomography when I combined my Fisheye camera with an old Canon AE-1 for magical photographic results. Last summer, I took so many pictures of flowers that it started to become almost boring for me. My waning interest and the coming winter meant that I had to figure out something else to do with my 35mm film.
When asked to recall the moment they first became truly interested in photography, most photographers would remember the magical feeling of picking up a hand-me-down or secondhand camera, the thrill of shooting an entire roll through, and the elation upon seeing and holding their first ever set of photographs. Caleb Savage, however, had quite a unique experience. At 10 years old, he had his first taste of working in the darkroom making prints at Boy Scout camp, thereby beginning a more than a decade-long affinity with photography.