Zenit 35F is a simple 35mm compact camera with 3 iso settings and a fixed shutter speed. It's armed with the legendary Minitar 1 lens - the same lens which the Lomo LC-A has.
Zenit 35F is a vintage Russian camera which has the legendary Minitar 1 lens, it has a 35mm focal length with a f5.6 aperture. The camera has a single shutter speed of 1/125s and 3 iso settings 100, 200 & 400iso.
Switching the iso on the camera actually changes the aperture of the lens. f5.6 for iso 100, f8 for iso 200 and f16 for iso 400. There is an underexposure led light in the view finder to warn the picture taker and a built-in flash both powered by 2 AA size battery. Flash light can be manually switches on/off by the user.
The black Zenit 35F is the most common type among all. A black one with a decal for the logo is uncommon and the red one is rare and hard to find.
Some pictures I made with this camera:
Zenit 35F is a mysterious camera with many untold secrets surrounding it’s existence…
In case you missed it, Lomography has just unveiled the latest member of its Art Lens family: the Lomo LC-A Minitar-1 Art Lens, which boasts of the same optics that the legendary LC-A camera has and brings the classic Lomographic style not only to analog but also to the digital platform. Over the next few days we'll be sharing with you the first impressions of and photographs taken by members of the Lomography team, who had gone out and put the Lomo LC-A Minitar-1 to the test. First up is graphic designer Andrea Cislaghi, who coupled this lens with the Bessa R2 and Sony Alpha 7.
Boasting of exactly the same optics as the legendary LC-A camera, the Lomo LC-A Minitar-1 2.8/32 M Art Lens brings for the first time the signature lomographic style not only to analog, but also to the digital platform.
Ron Lau from Lomography's Camera and Lens Development team recently tested the Lomo LC-A Minitar-1 Art Lens. With Leica M2 and Voigtlander R2A cameras, he used the lens to capture scenes from his daily grind and beautiful seascapes from a recent trip. He shares the photos and talks of the Minitar and its capabilities in this brief yet informative interview.
written by Kwyn Kenaz Aquino on 2015-05-05 in #gear#news
The best thing about working for Lomography is having first access to new products. Imagine everyone's excitement when the Lomo LC-A Minitar-1 Art Lens 2.8/32M was delivered to the headquarters in Vienna, where members of the Lomography team took turns testing this tiny yet powerful optic on various cameras. Meanwhile, Tom Bates from Marketing teased out the idyllic and colorful possibilities of shooting with the Lomo LC-A Minitar-1 lens on a trip to the UK countryside.
In this article, I'll show you how the Lomo LC-A loaded with the versatile Ilford HP5+ can make the most out of a hazy morning. To capture the whirlwind of a bicycle race, I pushed the film to ISO 800. The legendary Minitar 1 lens and this classic Ilford film are a perfect combination if you love black and white photos.
As a wildlife cameraman and photographer, Ian Llewellyn has worked on a number of television projects. The UK-based lensman breaks free from the strict confines of his profession by engaging in monochrome photography. His personal work is a plethora of abstract and experimental imagery, created in a style distinctly his own. Llewellyn is an ardent user of a Leica Monochrom camera, on which he mounted the Lomo LC-A Minitar-1 Lens, producing the most imaginative, phantasmic results.
written by Kwyn Kenaz Aquino on 2015-05-07 in #gear#news
Lomography's Optics Head Cat Ong shot moving lights, shadows and distant views to test the optic capacities of the Lomo LC-A Minitar-1 Art Lens 2.8/32M. Though drawn to precise zone focusing and aperture values, he tried to be more intuitive while walking around town with the Minitar-1 Art Lens. He took incredibly detailed photos under the Hong Kong sun and through the haze of Vienna.
If you'd be shooting in low light, at night, or in any other situation that would require a high speed film for best results, why don't you try the Lomography Color Negative 800 for 35mm cameras? Allow five of our community members to convince you with their respective reviews in this installment of Reviews on Rewind.