Good negatives make good prints. Bad negatives make prints that are too dark or are all blown out. This tipster is all about getting the balance right.
I think many people told you something like this: ISO100 film mostly fits shooting during sunny days, or you should go with a tripod I have to tell you, though, ISO100 film is much more than that! Let's MX with Lomography CN 100!
The last few cameras in La Sardina Sea Edition Cameras will be sailing away soon. Goodbyes are never easy, but you can take one of them with you while supplies last!
This is a short, simple and indispensable Tipster for new La Sardina owners. Specifically, those who are frustrated by the fact that their new 35mm darling refuses to shoot or synch with the flash. The probable cause? You haven’t pulled out the lens and twisted it until you see ‘Only Shoot If You Read Me’ text on the lens. And remember to twist the lens until you hear that magical ‘click’ sound – when you hear the click, you can be confident that your flash will fire when you shoot! Read on for a step-by-step guide to getting your La Sardina ready for its first photo outing…
Remember that old neighborhood you used to play as a kid? Think it's still there? Well, if it's up to us you'll find out soon enough! Lomography the Netherlands is collaborating with the GRID for their Photography Biennial 2012! Take a ride back to the future and win awesome prizes!
Sometimes we use a regular film, take some good shots and finally after developing the results are not what we wanted, some color and magic is missing. Here's a simple way to add more color to your pictures by following 3 steps.
I borrowed my girlfriend's La Sardina and this is my first roll with it. Both of us have noticed that generally, the left part of the photos are coming out blurry as compared to the right side of the photos. Thoughts?
Signalling the end of an era, freelance photographer Steve McCurry takes out the last roll ever of Kodachrome to document his trip to India. Find out more about the last 36 shots of this incredible emulsion here.
After a dip into the pool with Franco Fontana a few weeks ago, this week’s installment of Influence or Coincidence dives into the cold and foggy German winter. Read on to find out more about photography’s star couple Bernd and Hilla Becher and of course, who on Lomography got closest to their style.
Fabrizio Soler, aka webo29, hails from Malta and is one of Lomography Magazine's new regular writers. Know more about his upcoming series, featuring photographs that are either influences or coincidences, after the break.
Natural and soft toned, is the best way to describe the characteristic of Fuji Superia 200. It can be used during day and night. The best thing is, the film is easy to get everywhere with a cheap price!
I've used a handful of redscales—DIYs and Lomography Redscales. For DIYs, a good number of times, they are underexposed, for Lomography Redscales, some shots are still underexposed. Without going to too much analysis about film density and time exposure, I figured double exposing them would do the trick.
One of the most stunning analogue photos in our Community these past few weeks, this Lomograph sure deserves this spot! Beautifully crafted and well-thought, check out today's featured Lomograph.
(P.O.T.D. 06.13.12)
