What is a half-frame film camera?
All photographers must have at least one half-frame camera in their arsenals, if we say so ourselves.
As its name implies, half-frame cameras, also known as single-frame or split-frame, are those that shoot 18×24 mm photographs on 35 mm film. In other words, that’s half of what standard full-frame cameras take (24×36 mm).
What sets half-frame cameras apart is that they are not only compact and functional, but are also economical – a 12-, 24-, or 36-frame roll yields twice the number of shots on a 35 mm film that can be easily bought. This means you can take up to 72 images on one single roll and save a lot of film!
The 1960s saw half-frame cameras enjoy widespread popularity, something that eventually ended when full-frame 35 mm cameras as small as their half-frame counterparts began to be introduced in the market. With our Diana Mini you may alternate between shooting half-frame images or square images. The Lomo LC-Wide is also capable not only of shooting half-frame photos but also full-frames and squares, with every photo having that signature lomographic look.
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The three main types of film format are 35 mm, medium format and large format. More unusual formats also exist such as 110 and 127.
Orthochromatic film is made with blue-sensitive silver halide crystals, while panchromatic film adds other chemicals to increase the film’s sensitivity into the green and red parts of the spectrum.
LomoChrome is the name given to Lomography’s experimental film stocks. There are currently four LomoChrome film stocks available: LomoChrome Purple, LomoChrome Turquoise, LomoChrome Metropolis, and LomoChrome Color ‘92.
There are a lot of places that can process and develop your 35 mm color negative film such as local drugstores or one-hour photo labs.
All Lomography color films are processed using C-41 chemicals. This includes Lomography RedScale XR and our popular range of color-shifting LomoChrome films – LomoChrome Purple, LomoChrome Metropolis and LomoChrome Turquoise
Cross processing (or “X-pro”) is the procedure of deliberately processing film in a chemical solution intended for a different type of film. As each chemical mixture is optimized for a specific kind of film, you will get unpredictable results when combining them differently.
Slide film, (also known as “positive“, “transparency“ and “reversal“ film) is a type of film that produces a positive image straight onto the emulsion. Unlike negative film, the light and dark areas appear on the film as they do in reality.
This is by far the most common type of black and white film, and it works in much the same way as color negative film. Essentially, all the areas that appear lightest on the negative will be dark on the final print and all dark areas of the negative will show light on the print.
Slide film has many other names, including “positive“, “transparency“, “reversal“ and “E-6” film. Unlike the more common color negative film, slide film produces a positive image straight onto the film. The light and dark areas appear as they do in reality. When mounted on card stock, these images are the slides that you’d put in a slide projector, or the slides that your grandparents have in boxes in the attic.