The Bronica ETRsi is one solid medium format beast but how does it perform when coupled with a 35mm back? Not the normal 35mm back but the wide version…the 135W (very rare!) back!
What happens when a 120mm camera gets coupled with a wide 35mm back? Top that up with a metered prism and all I can say is that you’ll get endless fun with the set up.
Using the pano format back means you will (or rather…might) need to have frame lines on the focusing (if you bother about composition). You can find some of the focusing screens for 35mm backs on eBay or simply draw lines on the focusing screen with a marker pen. Of course it won’t look as neat as the 35mm screens, but hey, it works as well. :)
At face value, it seems like no one could ever go wrong with taking a landscape photograph. Anyone can do it, so long as the subject is visible. But how do you rise above the mediocrity that plagues landscape photography?
The time we spend with our beloved ones is truly precious, and moments we capture along the way always remind us of it. There are some particularly special days when we just want to take photos until there is no film left.
Dee, better know as elegia is a photographer based in Manchester, UK and has been sampling the Fuji Instax Monochrome film with the Lomo'Instant Wide. We talked to her about the joys of instant photography and what the future might hold.
Buried deep within thrift stories, entombed in dusty cameras, and hidden by the curtains of time lie the stories of yesteryear, waiting patiently to be found. Meet Levi Bettwieser, the man freeing these forgotten analogue fragments of the past from the hands of time.