The Bronica ETRsi is one solid medium format beast but how does it perform when coupled with a 35mm back? Not the normal 35mm back but the wide version…the 135W (very rare!) back!
What happens when a 120mm camera gets coupled with a wide 35mm back? Top that up with a metered prism and all I can say is that you’ll get endless fun with the set up.
Using the pano format back means you will (or rather…might) need to have frame lines on the focusing (if you bother about composition). You can find some of the focusing screens for 35mm backs on eBay or simply draw lines on the focusing screen with a marker pen. Of course it won’t look as neat as the 35mm screens, but hey, it works as well. :)
We’re fizzing with excitement to introduce our latest Kickstarter project: the Lomo’Instant Square. We’re talking about the world’s first analogue camera to produce square-format Instax pictures. It features a 95mm glass lens for super sharp photos, an advanced automatic mode that takes care of exposure, all of Lomography’s signature creative features — and a compact, foldable design. The Lomo’Instant Square has launched on Kickstarter. Come join the fun and back us on Kickstarter now to save up to 35% on the planned retail price, and scoop all sorts of extra treats. Be sure to snatch up the deals before they run out. Be there and be square!
It is amazing how photography now allows people to travel without moving from the seats, but Germany-based film photographer Johannese Huwe is all about the tangent and analogue as he shares his fresh adventure to the Antarctic with his medium format camera.
In the age of compact cameras and smart phone photography, and where 35mm is barely recognized, very minimal is known on how large film format photography works. Let's take a look at photography vlogger Negative Feedback's experience with the creative process.
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Thanks to Lomography the world can experiment again with the magic of color shifting films. But how does one use these films properly in different lighting conditions? Here are some tips about shooting with the LomoChrome Purple XR 100-400 and LomoChrome Turquoise XR 100-400 at night.
More and more filmmakers are going back to shooting with an analogue camera. One of them is Christopher Patrick Goode who recently submitted a silent film shot entirely with our very own LomoKino to a competition. Watch his engaging short movie that explores the psychological effects of war.
Photographer and art director Luca-Mercedes Stemer is one of the founders of HONEST., a magazine dedicated to preserving the tangible aspect of film photography. In this interview, she looks back on her early days as a young photographer and dishes out some tips on how to make it in the industry.
Think it's difficult to use color infrared film? Think again! Michael Raso of the Film Photography Project tells us how he hacked our Simple Use Camera and made it simply perfect for the usage of color infrared film!
Happy 25th anniversary, Lomography! What better way to celebrate this milestone than with a quick chat with our most iconic members! This time, we visit Lawrence Chiam aka Lawypop for a trip down memory lane.
Contemporary photographer Gregory Crewdson is known for his dramatic and cinematic approach in photography, featuring often surrealistic, disturbing events set like tableaux using familiar techniques in filmmaking,
Recognized as one of the most eminent British photographers part of the "Thatcher Years", Brian Griffin was known for his music photography that iconized in pop music history. Visuals from album covers, single sleeves, posters and such