What is wrong with my scanner? It doesn’t matter – I love the results!
I started an experiment by spraying some alcohol-based glass cleaner on the film in my black-room. I went out with some friends and shot some pictures of the evening with my Sprocket Rocket.
The next day I went back to the lab and after developing the negatives, I started to scan them. But what was wrong? This was the first result:
At first I thought, the glass cleaner had a cool effect. Then I got the idea that my scanner was part of the mistake, so I scanned it again. But the second and third scans brought out the same strange-looking pictures. It must have been something with the film, so I tried another one to be sure – the other negatives worked perfect as usual. What was wrong with the film? Does glass cleaner change the film in that way, or is the scanner not able to work properly with this chemical on the negatives? I don’t know but I like the results:
The Sprocket Rocket is the first wide-angle camera dedicated entirely to sprockets. And with dual winding knobs for easy multiple exposures, there is no limit to your analogue creativity with this panoramic wonder. See the Sprocket Rocket in our Shop!
I have always loved the idea of seeing my photos on stone and other natural materials. So, a few months ago, I began googling how it could be done. This is how I discovered (and fell in love with) liquid emulsion. Liquid emulsion is photographic emulsion which you can melt down and paint on any surface. You can then expose an image and develop it using traditional darkroom chemicals. In this article, I would like to explain the process a little, so that if you are also interested in giving this fun process a go, you can!
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
"The overarching theme is seeing people in adverse conditions take matters into their own hands and still find the energy to go dancing or fall in love or create art," Astronautalis said of his new album. We found that pretty inspiring, so we teamed up with him for a Rumble competition based on that idea.
Creating a movie, no matter how short it is, requires a certain amount of discipline. For it to be coherent, one must keep his focus throughout the entire process - from shooting the scenes to editing the clips. With that, we are truly grateful for the effort that these lomographers put into making these LomoKino movies.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
A documentary photographer cannot possibly order a crowd to disperse neatly into his frame. The thing left to do is to compose with care. Move a bit here, crop that element there, find a pillar of interest. It's a matter of playing with the tide.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
An Argentinean writer and photographer living in the Pacific Northwest, Lorraine Healy is a long-time fan of plastic cameras and is the author of "Tricks With A Plastic Wonder," a manual for achieving better results with a Holga camera, available as an eBook from Amazon.com. In this article, Healy shares her love for vintage American diners and her many years photographing them.
A long-time fan of plastic cameras, Argentinean writer and photographer Lorraine Healy is the author of “Tricks With A Plastic Wonder,” a manual for achieving better results with a Holga camera. Here, Healy shares her love for the old cafés in her native city, Buenos Aires.