When someone asks me why I love Burkina Faso so much and what's so special about it, I answer without any hesitation: the people. There's something in this country that connects the people together very strongly. Here, foreign visitors are warmly welcomed. And honestly, I think that the portraits I'm most proud of and that I really love are those shot in Burkina Faso. "Why," you ask?
Janne Parviainen is a 35-year-old artist from Helsinki, Finland. He is both a painter and a photographer but sometimes, he swaps his painting tools for light and creates illuminated pieces of art. Abandoned places are his favorite places for shoots because, according to him, "there's so much lived life and stories in abandoned places, they are the lost diaries and photos turned to dust of lives that once bloomed."
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
A long-time fan of plastic cameras, Argentinean writer and photographer Lorraine Healy is the author of “Tricks With A Plastic Wonder,” a manual for achieving better results with a Holga camera. Here, Healy shares her love for the old cafés in her native city, Buenos Aires.
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