Foma has been one of the institutions in film production in Europe. Their classic monochrome films are reliable, consistent and we should shoot more of them!
Foma is one of the long standing film producers. They have been around since 1921 and also produce other photographic materials, such as developers. I had long wanted to try some of their films out and had even gotten hold of some old, expired films but strangely not of their still produced outstanding monochrome emulsion I had heard so much about.
I was thrilled when my friend mattydk sent me a roll of Fomapan 400/120 for our 120 roll exchange doubles!
I reverently inserted the roll into my Holga, for we had agreed to both use that camera for this roll. I was very lucky, as we hadn’t re spooled the rolls and the paper didn’t jam while I was essentially shooting the roll backwards. The Holga doesn’t allow for minute exposure calculation so I crossed my fingers that it would work out, but Foma film is supposed to be forgiving.
The next step where I relied on the ruggedness of the Foma emulsion was development. I used standard Rodinal procedure. When I saw the negatives, I was thrilled they looked so nice, but when I scanned the film I saw that we both overexposed the roll so that the doubles did not succeed. This shows that this film is really fast and worked well with Rodinal despite it lowering effective speed. I really liked the tonality of the images though, they were really dreamy. For this tonality and the overall excellent quality I do recommend this fast medium format monochrome emulsion!
Photographer AM Renault is a core member of Yamanaka Yuko and Six Dimen Boy. He is deeply in love with nature, a thing he always intertwines with photography and design. This time, Lomography is honored to have AM Renault shoot with the New Jupiter 3+ Art Lens. What's more, one of his photos has been chosen as the cover of the product package.
All throughout the year, the community had been an endless source of inspiration for photography projects, photo shoot ideas, and radical experiments. In the front line of such creative endeavors are these passionate lomographers who never cease to amaze us with their impressive snapshots and innovative concepts. We proudly present the most trending LomoHomes of 2015.
At the time of its inception, photography was considered less a fine art and more a scientific method of reproduction. But anyone who has dabbled in the craft will argue otherwise; that there consists a very specific artistry in the photographic medium. We spoke with Luxembourg-based filmmaker Catherine Dauphin about her thoughts on this wonderful art form. Join us as she answers some of our questions about film, photography, and her short film titled "The Art of Picture Taking."
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
Have you been waiting for the perfect holiday deal? Our Advent specials are winding down, so today we are offering 10% off a huge range of products, from cameras to film to accessories and more! Time is running out, so don't delay!
Last year, the directors and filmmakers Amaury Voslion and Richard Dumas asked us if they could borrow the Petzval 58 Bokeh Control art lens to shoot the Tindersticks’s new video. We were really enthusiastic to participate in this project! Today, we are happy to announce the exclusive launch of the video, right here on Lomography’s website! You’ve read it right: you are the FIRST ones to enjoy this new visual adventure straight from their latest album titled 'The Waiting Room.' Plus, Stuart Staples of Tindersticks, Amaury Voslion and Richard Dumas tell us more about themselves and their work in this exclusive interview.
In 2015 we had been fortunate enough to talk with photographers, with practices and insights unique from one another, from all over the globe. And not only were we able to see their works; we were also able to dig a little deeper and find out what makes each one of them tick. In this special recap, we present a handpicked selection of insightful quotes from some of our most memorable interviews this year.
An indie band from Singapore, Take Two, released a music video for their song 'In Your Arms' earlier this year. The video was shot and produced by SNAP productions with the Pixelstick to create stunning light-painting effects. Read on to know more about the production of the video and what the people at SNAP Productions think about the Pixelstick!
We love a striking photo as much as the next person, but a unique point of view makes us head straight to a feature. Who should the world know more about? Who has rocked our perception of beauty, sexuality and creativity? These questions populate our notepads, and our list of photographers is quite long. For International Women's Day 2016, we whittle the directory down to our current favorites, photographers who resist labels (even the ones we give them) and dare the world to see what they see.
In this digital age, more and more photographers and filmmakers are getting charmed by technologies of the past. Those who prefer working with a tangible medium move from manipulating pixels to tinkering with vintage film cameras. Film director and scriptwriter Jan Okulicz-Kozaryn is one of them.
London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
Russia-based lomographer zhenyaetoya swears by the compact and reliable LC-A family. From the original Soviet LC-A to the LC-Wide, he owns and shoots with all of them. In this interview, he shares the advantage of using each camera and a clever trick to achieve stark silhouettes with the LC-Wide.