My ‘A Brush With The Law’ entry for the London hitlist. Being the law abiding citizen that I am (ahem) I knew this would be a tough task.
Not only would I have to do something dodgy, but the chance of me actually being able to capture it at the same time would be near impossible. The closest I got was a police dog sniffing my crotch for a couple of seconds as I was leaving the train station:
Then it dawned on me: ‘What if I can capture someone else doing bad?’ Mwahahaha…(easier said than done).
Whilst cycling pass the Parliament, I noticed two bicycle police giving a mini cab car a full inspection, and questioning the driver. Success! Right?
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
I have always loved the idea of seeing my photos on stone and other natural materials. So, a few months ago, I began googling how it could be done. This is how I discovered (and fell in love with) liquid emulsion. Liquid emulsion is photographic emulsion which you can melt down and paint on any surface. You can then expose an image and develop it using traditional darkroom chemicals. In this article, I would like to explain the process a little, so that if you are also interested in giving this fun process a go, you can!
The Kodak Autographic is the first really old camera I bought. I didn’t really know how it worked and had no idea that this nearly century-old camera would kick off a passion for collecting, fixing, and shooting with vintage cameras.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
Among the many public events of last year's winter in my hometown Como (that I documented with my albums and with my articles), I think that the most important was the opening ceremony of the jubilee proclaimed by Pope Francis. I photographed everything with my beloved Canon AV-1. Take a look!
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Time flies when you're having fun. Here is the last session of our Lomo'Instant Workshop for the Be An Explorer campaign. This time we are delighted to invite AM Renault to share his experience of travelling with Lomo'Instant.
Earlier this summer, in partnership with the Meural, Lomography NYC called for submissions to a rumble inspired by the German word sehnsucht. We are pleased to announce the photographs that were selected to be shown in our gallery and on the Meural platform, along with the grand prize winner!
Brazil is an awesome country for traveling. There's so much to explore, each place very different from one another. It will definitely take a stretch of trips just to get to know this this South American pearl. I finished my copa tour last year in Marajó, the island of bulls—it just might be an eternal highlight for me.