California photographer and cool LomoAmigo Ryan Schude recently shot the cover for Time Magazine using what else, but film! Check it out after the jump!
One of our LomoAmigosRyan Schude flexed his photographic muscles and did what most shooters dream of: do the cover for Time Magazine! In a recent issue, Ryan shot Ray Kurzweil on location at the Orpheum Theatre in Boston. Fantastic shot as expected from a fantastic Lomographer!
Photographer couple Ryan and Garovs Vergara, collectively known as "Everywhere We Shoot", found a Japanese 35mm compact camera (seemingly brand new, in box, and fully packaged) in a surplus shop in Manila. They didn't expect for the camera to be already used, though.
One of the many gripes of a film photographer is how difficult it is to take the perfect indoor shot -- it's either over or underexposed. You've tweaked the settings too many a time and it still doesn't work. So here's David Hancock on his own tips for shooting indoors with film.
For the "Cinematic Images" competition, Lomography and the Indie Street Film Festival called to see some of the most unique photographs, balanced between cinema and still photographic styles, using elements of classic and contemporary cinema. Let's check out the winners!
Whether you're shooting film or digital for your cinematic breakthrough, perhaps you might want to track back to your photography roots and keep your compositions in check. After all, the best cinema stills can stand alone as great photographs.
Jesse Macht, aka musician Race The Tide, created tons of instant memories shot using the Lomo'Instant Automat while out on a recent DIY tour across the country in collaboration with Airstream and Pendleton. He shares the photographs and the tour diary with us here.
Photographer Lydia Trappenberg has worked for companies such as Thistle Magazine, Stern and NEON. She has a talent for creating dream like photos using a mix of film and digital. We lent her the Petzval 85 Art Lens to test out the soft bokeh effect on her wonderful portraits.
"The White Girl" is currently showing in theatres in Hong Kong. We invited photographer Wilson Lee to join the set for a day and use the New Jupiter 3+ and Petzval 85 art lens to capture all the wonderful moments. This is also the first time for Wilson to shoot stills for films. He shared his first-time experience in this interview.
Adrian Cousins is a cinematographer and a darkroom wizard who works mainly with Super 8 and 16mm film. He recently used our LomoChrome Purple Super 8 Film to shoot a music video for the band Glass Mountain.
Documentry and music photographer Ed Mason is used to shooting right in the centre of crowded gigs. He took time away from the music scene to test out the Neptune Convertible Art Lens at his friends painting studio in London.
The famous draughtsman for Punch Magazine was more known as chief cartoonist and illustrator, but like all artists during the humble beginnings of the photographic medium, he also tried his hand with the camera. Unlike the rest who shot inside studios, he shot images outdoors.