Lomography X-pro Slide 200 is a mysterious film, you can’t guess its exact color shift but it has its own charms.
This is my first Lomography Slide film, I bought one box during the film sale at Sheung Wan’s Lomography Gallery Store. I loaded them in my Voigtlander VITOCLR and Lomography Fisheye 1, and shot them in Shanghai with good results. I was initially worried that the low ISO is insufficient for a sunny camera like Fisheye 1 but my worries proved to be unfounded when the photos are developed.
The color shifts when cross processed is hard to predict, it can be yellow, reddish, or greenish. Despite all these, the resulting photos are still charming. With Fisheye cameras, the photos are mainly yellowish. With VITOCLR, there are different color shifts.
Actually we shouldn’t care too much about the color shifts, its always a pleasant surprise when we get unexpected color shifts!
The ice is melting and winter's almost over. Mother Earth is brought to life once again as spring crawls in. Time to head out and take photos! The colors of Lomography XPro 200 35mm is the perfect balance for spring: subtle azure for traces of winter and a mesh of sunny yellow for the promise of summer.
You won't believe what we have in store for you with the launch of our newest mystery product. What a crazy idea, they thought. It can't be done, they said. But at Lomography, we know that there's a first time for everything. So we've decided to travel back in time and have a quick look at some of the unbelievable ‘firsts’ of photographic history. Could these milestones have anything to do with our mystery product?
Lomography has teamed up with the Victoria and Albert Museum, London to give you the chance to win tickets to see “Paul Strand: Photography and Film for the 20th Century,” the first retrospective of this highly influential photographer in over 30 years. You can also win a Henry Carroll Book and a Lomo’instant Wide.
Put on your coats and walk out to winter with the Lomo LC-A. Capture the chilly but charming mood in 35mm, glowing in beautiful colors and framed in shadowy vignettes. Up ahead, a collection of our favorite community LC-A winter photos to inspire you!
This World Pinhole Photography Day is your chance to shift from the usual 35mm pinhole cameras to the unconventional medium format, stereoscopic or instant do-it-yourself' pinhole cameras. You can even turn the LomoKino into a pinhole video camera. Challenge yourself and take a pick from this list of Tipsters.
We've had some amazing entries for the Lomography x V&A: A Paul Strand Competition and it has been very hard to choose the best. But we have finally narrowed it down to three favorite photographs. Find out if you've won here.
Maxime Fardeau, or Max as he is fondly called, loves film. He has been shooting analogue for about four years and owns a number of 35mm film and instant cameras, such as the Leica M6 and SLR-670 Polaroid. He has taken photos using the Lomo'Instant and the Minitar-1 Art Lens and this time around, he provides a glimpse of the images she produced with the Jupiter 3+ Art Lens.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. Here's how I revived my Instamatic cameras.
To photograph is to simply paint with light. Pictorialist style continues to be overpowered by its more modern realistic movements, but Swedish film photographer Kristian Jalonen is on the mission to evolve the vintage aesthetic with a more modern, colorful twist.