Fuji T64 Pro is a very good film to Xpro with. It gives a red colour when it is Xpro, in my case.
After trying some slide, I decided to hunt for Tungsten film. I came across this roll of Fujichrome T64 Professional (Expired Sept 2009) in Mong Kok, Hong Kong. Because of its low ISO rating, I cannot use it with my Fisheye, Oktomat, nor SuperSampler. Hence, I decided to use it with my VITOCLR, which has adjustable shutter speed and aperture.
Such a low ISO film is not very user friendly, to be frank. It requires a slow shutter speed to compensate for the low ISO. Unfortunately, I don’t have a tripod to support my camera. Hence, the photos turn out to be quite shaky. None the less, when cross-processed, it gives an amazing result, as with any other slide. One thing I am surprised is that it gives a saturated red colour, unlike my previous roll of Kodak Ektachrome 320T, which gives a beautiful blue tone.
Generally, I think, in order to take good photos with this film, a sunny day and a tripod are necessary.
We're thrilled to announce the new exclusive 16mm addition to the Lomography Film Family for experimental filmmakers! The Lomography X-Pro 16mm Motion Film is now available in limited quantities Online and in Gallery Stores worldwide.
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Since Alive was founded in 2010 with one mission: to uphold film photography despite the steadily increasing popularity of digital imaging. It aims to provide guidance and information to analogue photography enthusiasts through its website, which has become a platform for showcasing the creativity and techniques of its followers. Since live has also ventured into developing products to bolster the practice of analogue photography and its Bento Film Case has proven to be very useful. Lomography talks to Since Alive’s Wind Hui and designer Stephanie Ho, co-collaborators for Since Alive’s Bento Film Case.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.
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This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
For some, it marked their first foray into the wonderful world of analog photography. Others consider it a trusty, go-to camera despite having a massive camera collection which sometimes include some of the best gear there is. Whatever the case may be, toy cameras will always hold a special place in the hearts (and shelves) of analog photographers everywhere, quirks and all.
When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.
This beautiful camera features such ability to let users choose and switch between 35mm or 120 formats! Shoot more, save more! Get 15% discount on Lomography Films when you purchase film with the Lubitel camera!
Stephen Dowling is no stranger to the LC-A 120 camera; he has brought it on trips to Brighton, Malta and most recently, on a holiday in Istanbul. In this feature, Stephen talks about his experience shooting with this medium format camera around the markets and mosques of one of Turkey's most colourful and vibrant cities.
This young artist has drawn our attention with breathtaking photographs which give colour to the life around us. He has managed to show a perfect blend of nature and its harmony with people. His portraits tell stories of young people around him and different places he visited.