The Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition Pt. 3


As part of our tireless quest to bring you the most complete analogue film information on the planet, we present Part 3 of the Great Big Lomography Film Bible: Colour Reversal/Slide Film Edition. Today, it’s all about Fuji!

Fuji Astia RAPISO: 100
With Agfa films, it’s often the reds and blues that stand out, with Kodak, a heavy blue tint can be noted on many cross-processed images. And with Fuji? It’s the greens, as Astia is no exception. Shoot it in the brightest daylight and you’ll get a fairly balanced image, even when cross-processed, but introduce shadows and lower light, and you’re likely to get some extra green, which can be fabulous with certain palettes, but can sometimes wreak havoc with skin tones. Employing a flash will tone this effect down when shooting people, and shooting Astia without cross-processing results in more balanced and lovely, saturated colours.

Photos by: pamelaklaffke, littlemissk, alexandrak

Fuji Multispeed RMS 100/1000 – ISO: 100/1000
Love it or hate it, Fuji Multispeed RMS 100/1000 is unlike anything else. The emulsion is supposed to allow photographers to set the ISO from 100 to 1000 and enable shots under almost any lighting conditions. Does it work? Depends who you ask and what camera you are using. RMS in a Holga, Diana or other camera that doesn’t have an ISO setting can produce unusual and exciting cross-processed images, often with a blown-out black background and the typical Fuji green tinge. The film performs more steadily and predictably in an LC-A, rangefinder or SLR with an ISO setting.

Photos by: pattyequalsawesome, pamelaklaffke

Fuji Provia – ISO: 100 (RDP)/ 400 (RXP)/ *1600 (RSP)
Popular Provia is the all-around favourite of the Fuji family for many photographers, particularly because of its availability in a versatile 400 speed. Expect strong greens and yellows when cross-processing and even the occasional surprise blue tint. Few slide films are produced at a medium speed that can be used indoors or outdoors, day or night (with a flash or light meter), so if you’re looking for a quality go-anywhere film, this is it. In the slower 100 speed, it’s closer to Astia than Velvia and the discontinued 1600 speed film is ideal for shooting at night and push-processing.

Fuji Provia 100 RDP

Photos by: neja, magicbus, cruzron

Fuji Provia 400 RXP

Photos by: analogeye, miriel, kunold

Fuji Provia 1600 RSP

Photos by: casiopeia, jibbiiz, cyan-shine

Fuji Sensia – ISO: 100 (RD or RA)/ 200 (RM)/ 400 (RH)
Fuji’s basic, consumer slide film, Sensia is cheap (well, compared to professional slide film, anyhow) and available everywhere from pro camera shops to local pharmacies all over the world. As to be expected with any consumer slide film, the colour balance can be unpredictable and the grain more visible than you’d get with a silky smooth professional film, but the one surprising thing about Sensia is that it the greens are not always as pronounced when cross-processed as they are with many other Fuji films. Go figure.

Fuji Sensia 100 RD/RA

Photos by: teresa-canelas, reinertlee, northwardnimbus

Fuji Sensia 200 RM

Photos by: ethermoon, twekz, special_patrol

Fuji Sensia 400 RH

Photos by: nicholas_noir, fivedayforecast, boredbone

Fuji Velvia RVPISO: 50/100
And now for something completely different — at least for Fuji. The most saturated of the slide films of Fuji’s menu, Velvia is always rich with colour, whether cross-processed or not. The slow speed and smooth grain make for a photographic treat when shot in daylight, and cross-process this film and you’re likely to get bold reds and pinks rather than the usual Fuji greens and yellows, making Velvia and especially fun film to shoot if you’re one for dramatic images and effects.

Fuji Velvia 50 RVP

Photos by: tsnsak, gnarlyleech, renaishashin

Fuji Velvia 100 RVP

Photos by: bravopires, herr_zeit, pamelaklaffke

Fujichrome T64 RTPISO: 64
This slow-speed film is made to be shot under Tungsten light, but take it for a spin in daylight and you’ll get all sorts of unusual colour shifts; cross-process it if you want to push those oddities just a little bit further. Or, if you have access to a studio equipped with Tungstens, try shooting it as it was meant to be and expect deep saturation and even skin tones in portraits.

Photos by: panelomo, endowaty, sugiyamasatomi

Pamela Klaffke is a former newspaper and magazine journalist who now works as a novelist and photographer.

written by pamelaklaffke on 2011-01-26 #gear #tutorials #film #slide-film #expired-film #tipster #asa #fuji #x-pro #cross-processing #iso #gost #colour-reversal

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  1. wuxiong
    wuxiong ·

    Very detailed description of the most favored color films to lomographers.... thanks for sharing... <:))

  2. leendabob
    leendabob ·

    love it

  3. nicolas_noir
    nicolas_noir ·

    Thanks for using my shot!

    I love how @panelomo and @endowaty

  4. rochellers
    rochellers ·

    This series is very helpful. I love Fuji color film but assumed all Fuji slide film cross-processed would be greenish (not my favorite tint) and now I know that is not the case - yay! Thank you.

  5. tallyho
    tallyho ·

    You might want to differentiate between Velvia 100 and Velvia 100F - the former being more in the blue-green territory and the latter having warm reds and pinks.

    Also, I was under the impression that Fuji MS 100/1000 had been discontinued. Am I wrong? And I hate to be a downer, but I also read that the entire Sensia line was being discontinued.…

  6. scorpie
    scorpie ·

    For some reason, Astia always turns out with a heavy pink/magenta tone when cross-processed (not unlike Sensia 100) for me. It's weird... I looked through a lot of pictures shot with Astia in the photos section and there's every variation, from heavy pink/purple via retro-soft-pinkish colours to deep blue/green. Are there different versions of that film?

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