we’re getting rolls by the dozen here at Lomography HQ, and we thought it only fair to share them with you. Read after the jump to see what Cannes Short Film Movie directors have come up with when faced with a Multi-lens camera and some film!
More and more filmmakers are going back to shooting with an analogue camera. One of them is Christopher Patrick Goode who recently submitted a silent film shot entirely with our very own LomoKino to a competition. Watch his engaging short movie that explores the psychological effects of war.
Bobby Vu is a Los Angeles-based director and photographer who shares his passion for both photography and filmmaking. He became well-known for his short films and it's no wonder his photographs remind us of those magical movie scenes from the 80's.
Jesse Burke, an established photographer and director, shares with us a collection of photos that embrace the complicated relationship humans have with nature, utilizing the Daguerreotype Achromat Lens to blend the two identities in to a dream-like quality.
One of our regular first roll testers, Brian Bruno, had an exceptional shoot set to work hand in hand with the Lomography F²/400 Color Negative Film. In this interview, he shares his photos and thoughts on the film.
People love competitions and Lomographers are no different. But more than a search for standout photographs, the TEN AND ONE Annual Competition celebrated the community's shared love for photography and its power to create enduring stories. This list by no means set a conclusive standard on what makes an image good or not. But nonetheless, we're proud to introduce the short films that took the top spot in the Cinematics category.
With only a large format camera, rolls of film and a tripod, a Chinese photographer biked his way from the coasts of Shandong all the way up to the mountains of Qinghai to photograph China's modern landscape.
In this digital age, more and more photographers and filmmakers are getting charmed by technologies of the past. Those who prefer working with a tangible medium move from manipulating pixels to tinkering with vintage film cameras. Film director and scriptwriter Jan Okulicz-Kozaryn is one of them.