La Vie en Rose is not just a movie, it’s what happens when you cross-process Fuji Sensia.
Fuji Sensia 100 ISO film is a professional line of Fuji. As 100 ISO does not leave much grain and the contrast is quite natural without saturating the photographs. But the most captivating thing is that it is a fantastic film when cross processed. I paint the world pink. Whether you love or hate it.
Keep in mind that if you request digital copies of your negative, the laboratory can scan the high contrast than a regular scanner can not, so it is best to let them scan the negative for you.
This film is not yet extinct, but who knows how much longer it will be around. For now you can find it the shop online.
As a recommendation, push this film by 3 stops.
Here are some photos using the technique of pushing from 100 to 800 ISO.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Walk along the sandy shore, take a dip and splash around, and celebrate summer with the Lomo'Instant San Sebastián! Inspired by the Spanish surf town, this nifty newest edition of the Lomo'Instant is perfect to capture your colorful instant summer snaps!
What makes an engaging image? What makes a photograph seem more like a memory than just an image? How is it able to make you feel as if you were right there, in that moment, experiencing the scene first hand?
When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
One Christmas, David Townsend was given the Konstruktor by his wife. It sparked an idea in his head, taking inspiration from Jack Lowe's Lifeboat Station project and his love for photography. He built and beautifully customised the Konstruktor and has just embarked on his own long term analogue project, because a camera is for life, not just for Christmas. Learn more about his project in this interview.
When we said this camera was wide, we meant it! And when you add the wide-angle lens attachment to your Lomo'Instant Wide, that's when the magic really starts to happen! Now you can capture the whole picture in a snap!
Jack Lowe has been traveling round the UK with the aim to shoot every RNLI post using Wet Plate Collodion photography. The Lifeboat Station Project photography is a five-year photographic mission that makes use of a painstaking process. It is a fascinating, much talked about project that deserves to be documented, not just through words but through images as well.
Valerio Spada went beyond his comfort zone and stepped right into the battlefield with his camera. He went to Naples, Italy, an area populated by the Camorra Mafia but also home to Annalisa Durante who, at the age of 14, was killed by a bullet aimed at a Camorra boss. What happened to her could've happened to any of the girls portrayed in the book Gommorah Girl. This work is about Annalisa. It's about all of the girls that, just like her, seem doomed to an unfair destiny - which, hopefully, may still change.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.