Legend has it that a Viv UWS + Slide film = deadly combo
My second roll with my viv. This time I loaded it with a slide film, an Agfa CT Precissa 100. I spent a little bit of bright day light taking some pictures. I used it to shoot many colourful objects. The result’s totally mind blowing. This camera really lived up its reputation. Colour-shifts and grain are outstanding not to forget its trademark cool vigneting and flares.
Slide film emphasizes the effect. Due to wild mood swing weather, I also take pictures in cloudy day and the results are still amazing. Above all, the sharpness is kind of surprise me (some people may not like it). The depth of field is larger than my shots with a negative film. So less talk more pictures. Enjoy!
Film is alive and kicking as passionate lovers of film photography continue to support a medium that was once accused of being dead. Japanese photographer Mii Yatogi lives on the analogue grind, capturing her daily life and whatever else that inspires her in 35mm.
The Farm Security Administration was body created to fight poverty in America during the Great Depression. Among the projects was its famous photography program that launched a number of photographers that would become legends of their own.
Robert Herman has been a street photographer since his student time at New York University in the late 1970's. Back then, he started to capture New York, the city's beautiful diversity of people, reflections and unique coincidental moments on rolls and rolls of analogue film.
Rome-based photographer Kimberley Ross has a unique way of presenting her photographs. For her analogue processing, she soaks her rolls of film in various substances. The result? An incredible "Analog Remix".
In 1990's Georgia, kidnapping young girls as a type of courtship or engagement was a trend that Georgian documentary photographer Dina Oganova thought has been long gone. However, Dina learned later on that it was still on-going in post-Soviet Georgia.
We've finally nailed down the basic colors from primary to secondary; now it's time to study other colors, hybrids, and palettes that make this world more complex and non-binary. With cinematic glasses, we tend to look at life like a movie. The reel rolls into a palette of silvery grayscale.
Chris Gampat of The Phoblographer has launched an incredible zine titled "Emulsion". Centered around a selection of film photographers, "Emulsion" celebrates analog photography and all of its entities in this publication.