We welcome photographer Meg Hewitt into Lomography Magazine as she permits us an in-depth view of her gritty black-and-white, grainy, analogue world, reminiscent of the Provoke-era — same style, same place, different time.
Germany-based filmmaker Patrick Mueller returns to the Lomography Magazine with yet another incredible short film. This time, he shares his adaptation, shot with the LomoChrome Purple 16mm, of H.P. Lovecraft's horror masterpiece "The Colour Out of Space".
Where’s the fun in analogue when you can only take one photo with a single exposure? Bring back the photobooth era with some Warholian four-frame portraiture! Lomography’s ActionSampler is about to make you an instant pop art master in no time.
It's one thing to see celebrities on screen, and another thing in real life. Photographer Antonio Castello shares to Lomography Magazine his first-time experience at the 68th Berlinale as he documented the event with two brassy lenses — the Petzval 58 Bokeh Control Art Lens and New Petzval 85 Lens.
In this second installment of our special two-part feature on cinematic photographers, we take a look back to more photographers who have mastered the dreamy, often surreal aesthetic of cinematic photography.