Shooting primarily on digital, travel photographer Zac Turgeon decided to shake things up and took a 35mm film camera on a trip to Indonesia. Zac then shares his work with a recap of his experience through a celebrated short video:
Zac recounts that taking his 35mm film camera on his trip "has undoubtedly been the best decision of my life."
We gave our Simple Use Film Camera to the photographer Nicolas Kuttler: a perfect symbiosis of his spontaneous photography, influenced by the 90's and these 35mm pre-loaded analogue cameras. Nicolas tells us about his photographic practice and the importance of analogue in his work.
Garrett is a Canadian born photographer who has been working in Hong Kong for 4 years. As a proud owner of an LC-A, an LC-A+ and an LC-Wide, we naturally wanted to see some of his shots, so he's kindly agreed to share some of his finest work with us. Let's take a look!
Whenever there is a fragment of a second of a beautiful, little coincidence, this photographer will capture it with his camera. Meet Jonathan Higbee in this short interview and check out his fantastic work!
Nicole Yeoh of Singapore-based blog 'Film Based Traveler' got her hands on the Lomo LC-A Minitar-1 Art Lens and granted us access to share her inspiring street photographs taken from both digital and film cameras.
The TEN AND ONE Residency Week has been very intense and full of activities. From 11 to 18 November, we did LomoWalks around Vienna, guided visits to museums and magazine editorial office, a workshop, a trip to Bratislava, worked on our LomoWall and of course LomoLunch and LomoDinner. We had the opportunity to attend a Cyanotype Workshop at Lomography Head Quarter held by Michael Wuermer, a young and nice photographer and printer.
It's one thing to see celebrities on screen, and another thing in real life. Photographer Antonio Castello shares to Lomography Magazine his first-time experience at the 68th Berlinale as he documented the event with two brassy lenses — the Petzval 58 Bokeh Control Art Lens and New Petzval 85 Lens.