“The photograph itself doesn't interest me. I want only to capture a minute part of reality.” — Henri Cartier-Bresson
When photographer Henri Cartier-Bresson was employed to cover the coronation of King George VI for the French publication Regards, he took no photographs of the King. Instead, he filled frame after frame with the people lining the streets in celebration, craning to catch a glimpse of their new monarch. For Cartier-Bresson, beauty blossomed in the gritty details of ordinary life on the streets — and the art lay in immortalising it in photographs.
Chase the Moment
“The Moment! Once you miss it, it is gone forever.” — Henri Cartier-Bresson
But capturing the streets is not a case of the photographer shaping life to fit it into the frame. As Cartier-Bresson explained to the Washington Post, ‘Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.’ The camera is merely the witness to an organic moment serendipitously formed by a series of random events. The photographer’s skill lies not in meticulous composition or artistic post-production, but in the ability to feel the moment — to respond to the energy coursing through the streets and capture it authentically. And to do that, the photographer must be invisible.
Lose Yourself in the Rhythm of the Streets
“It is the photo that takes you. One must not take photos.” — Henri Cartier-Bresson
Cartier-Bresson took almost all of his photographs on a compact Leica camera loaded with fast black and white film. His lens of choice was a classic 50mm — enough to give a feel of the environment without detracting from the subject. He used black tape to cover the camera's chrome body, allowing him to blend into the crowd and capture people in all their natural beauty, blissfully unaware of the camera. For him, the purpose of photography was to immortalise the extraordinary moments that make up the everyday experience of being human.
Catch the World Off-Guard
“I suddenly understood that a photograph could fix eternity in an instant.” — Henri Cartier-Bresson
At Lomography, we’re big believers in Cartier-Bresson’s philosophy. We love losing ourselves in the rhythm of the streets, chasing the moment and impulsively filling the frame with the stunning details that make this little planet incredible. That’s why we invented the Lomo LC-A Minitar-1 Art Lens.
Inspired by the iconic lens at the heart of the Lomography movement, this handcrafted Art Lens drenches each frame in the vivid colors, punchy contrast and sweet vignetting of the definitive Lomo look. Compact and inconspicuous, it lets you catch the world off-guard, Cartier-Bresson style. Its multi-coated glass lens fills every last inch of your shot with stunning details, and its super fast zone-focusing system gives you the manual control to adjust to your surroundings in seconds. Take to the streets with a Lomo LC-A Minitar-1 Art Lens — available now from the Lomography Online Shop and Gallery Stores worldwide.
We’re proud to introduce three new anniversary editions for the LC-A+, the LC-Wide and the LC-A 120 which feature a special embossed leather design. Available while limited stock lasts, pick up your piece of the Lomo legacy from the Online Shop or a Gallery Store near you!.