Here's another filmmaker's color palette that we just have to study -- from "Scarface", "Carrie", "The Untouchables" and more, here is Brian de Palma's "cinematic palette".
The filmmaker is known for crime, suspense and psychological thriller films, all carrying with them attitudes. De Palma employs color not in relation to character, but to create the mood, or to signify metamorphosis. A threshold. Take for example in Carrie, he uses blues and reds to contrast the momentary triumphant mood of Sissy Spacek's character in blues, then red with her tormentors.
We've finally nailed down the basic colors from primary to secondary; now it's time to study other colors, hybrids, and palettes that make this world more complex and non-binary. With cinematic glasses, we tend to look at life like a movie. The reel rolls into a palette of silvery grayscale.
We've finally nailed down the basic colors from primary to secondary; now it's time to study other colors, hybrids, and palettes that make this world more complex and non-binary. We run in gradients, and some mixes are just exclusive enough to distinguish, like a Christmassy palette.
A split diopter shot is a shot taken by split-focus diopters as it uses a convex glass attachment to make the camera nearsighted, thus giving a deeper focus on the subject. Crime filmmaker and screenwriter Brian De Palma uses this shot throughout his oeuvre.
The people at PANTONE caught our eager attention when they announced that the 2018 color of the year is Ultra Violet! Lomographers all over the planet have been creating vivid violet masterpieces with LomoChrome Purple Film, check 'em out here!
From the 19th century to today, the concept of 'family' has changed over time -- from families born into ones, to the ones we have chosen for ourselves. Photographers then and now have found the basic unit of society an interesting, continuous study.
Colors mean differently for all walks of life. The color chartreuse is a vivid yellow-green, one that resembles lime and green apples, or the nuclear substance in the disaster movies. Such color is like a poisonous tango between sweetness and danger, isn’t it?
Photography isn't just about the visuals, technicalities or equipment. To be a photographer, you have to capture the unseen and the abstract. And when you do, you grow one step empathetic. Here, we review Lomographs that straight out speak of human emotions.