The American director is often making headlines in film circles nowadays, proving him to be one of the most important 21st-century filmmakers, and what can be said more about Wes Anderson than his special use of color?
Apart from his Kubrickian symmetry and geometry, Anderson is also known for his palettes, often soft, milky pastels that soften the preciseness of his camera. Such can be seen in "The Grand Budapest Hotel", "The Royal Tenenbaums", "Moonrise Kingdom", where each film follows strict palettes, exclusive for the movie itself.
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