I have been a fan of this film. 50 iso has never been this good for cross-processing. Since last year, I have been looking forward to use up a Fuji Velvia 50 iso, but can never found one. Some say this film is rare to its rarest. Until one day, a friend of mine has a brick of this, so I consumed 2-3 rolls of film from him.
I started shooting immediately. It was the magic hour and I was very interested on how the film would come up with its lovely colors. The Fuji Velvia, with its low iso sensitivity, has some special powers (I think) that produces different contrasts shot after shot. We all know the 100 iso is for red, magenta and pink, the Sensia for its green/yellow combination, and others, but this one is fantastically interesting. I was expecting a Fuji slide film outcome, but here’s what I got. Blue, green and yellow hues. Shooting it day and night makes the film feel very special and beautiful.
I love this film. One should really try this one if you haven’t used it yet. Feels like I got a combination of all Fuji slide films in one roll. If you are curious, check out my pictures.
Andrej Russkovskij AKA Andrea Russo is an avid film photographer and active community member who has a soft spot for portraits, making him the quintessential Petzval Amigo. He recently tested the Petzval 85 Art Lens with different kinds of film, among them black and white, Velvia 50, Kodak Elitechrome and Fuji Superia 200.
Toby Mason (aka fotobes) is a Brighton-based photographer who embraces the aesthetics of film photography. He mostly shoots with the LC-A+ using a range of slide films, cross processing them to create rich, highly saturated colours. His work has been featured on the BBC website and Hungry Eye Magazine. Join us for the opening night on Thursday, September 17 from 6 p.m.
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
Named for the Italian city situated in the Lombardy region, overflowing with art and culture, say hello to the colorful aesthetics of the new Lomo'Instant Milano, the latest member of the Lomo'Instant family!
Belarus-based lomographer Pavel Petrischev has been taking photographs for almost 30 years. He currently works as a photography professor. In this interview, he shares his unique view on shooting with film and the strange ways of fate that brought him to the community.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.
I have been constantly returning to the Sahara, and my last visit was the fifth in a row. Every visit was full of excitement and surprises. I feel like this place has become my second home. This year, I decided to travel there for a fortnight.
The LomoLab EU has moved and is now open for business! Analogue lovers from Austria, Germany, Spain, Netherlands, Belgium, Luxenbourg, and the rest of Europe can send their films to:
However, if you're based in Germany - and you don't mind a longer waiting time, you can still send your rolls for processing to:
Lifesmyle Store Berlin - LomoLAB
Fueled by wanderlust, a sense of wonder, and curiosity, lomographers have been through all corners of the world to explore and capture on film everything it has to offer. Lomographers have arguably seen it all—and by all we mean not just the beautiful vistas, but also those places that only the brave ones venture into. Here are but a few of them.
Photographer AM Renault is a core member of Yamanaka Yuko and Six Dimen Boy. He is deeply in love with nature, a thing he always intertwines with photography and design. This time, Lomography is honored to have AM Renault shoot with the New Jupiter 3+ Art Lens. What's more, one of his photos has been chosen as the cover of the product package.
The name Hodachrome is one of the most popular in the Lomography community. It has become synonymous with the acronym EBS, which stands for exposing both sides of the film. These multiple-exposed photos have an unmistakable style in the vein of ecstatic carnivals and exaggerated dreams. The man behind the vivid shots, Hodaka Yamamoto, talks to us about the habits of a good experimental photographer.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
What do you do when you don't have much time in a city like New York but you want to see everything, feel the vibe and be part of the community, even for a short time? Jump on a bike and enjoy what trains, buses and cabs can never give you: be part of the city. Take a camera with you to capture the moments and sights you don't want to forget. I did this with my LC-A 120 and LomoChrome Purple film.