A car show shot with an LC-A+ using Lomography Color Negative 400
I attended a similar car show last year. Same venue, same lighting conditions. The only difference is the film. This time I was confident with the Lomography Color Negative 400 because it’s ASA rating was perfect for indoors. I used an LC-A+ and consumed 2 rolls. I was happy with the results, slightly grainy but colors were perfect. Contrast was near perfect, colors had a warm shift and slightly saturated compared to a normal negative film. The ambient lighting was trying because there were revolving disco lights so colors were changing nearly every second but that wasn’t really a problem. All my shots came out well, no underexposed shots which I initially expected, but when I got my developed rolls and scans, the ASA 400 film didn’t let me down. I’m actually beginning to like negative films again.
Earlier this year we were chuffed to launch a very memorable type of 35mm film: the Lomography Color Negative F²/400. We had recovered it from the last ever supply of an Italian filmmaker, and stocked it for seven years in special conditions. Much sought after for the film's nostalgic aesthetic, beautiful blue tones, with hints of X-Pro character, the F²/400 35mm rolls flew off our shelves like hotcakes – and rapidly went out of stock worldwide.
We've just hit our second Stretch Goal! Now get a FREE Reverse Macro Adapter AND a handy leather pouch when you pledge as low as 690 USD and back the Neptune Convertible Art Lens System on Kickstarter today!
One of our regular first roll testers, Brian Bruno, had an exceptional shoot set to work hand in hand with the Lomography F²/400 Color Negative Film. In this interview, he shares his photos and thoughts on the film.
Lomography UK were lucky enough to be given a few rolls of Lomography F2/400 Color Negative film to test out before the launch. We gave a roll to our wholesale manager Bea Dewhurst who took some shots of her favourite things.
As the year comes to a close, Lomography Soho looks back on the top 5 highlights of 2016. We ran an LC-A+ workshop with Blurb who printed up all the shots from this workshop and made a groovy book. It's our Number 3 UK event of 2016.
Russia-based lomographer zhenyaetoya swears by the compact and reliable LC-A family. From the original Soviet LC-A to the LC-Wide, he owns and shoots with all of them. In this interview, he shares the advantage of using each camera and a clever trick to achieve stark silhouettes with the LC-Wide.
Arthur Pang is a photographer born and raised in Hong Kong. He dabbled in studio photography as well as product and wildlife photography, but it is street photography that he enjoys the most. Here, he shares his awesome photos and thoughts on the new Lomography F²/400 Color Negative Film.
This beautiful camera features such ability to let users choose and switch between 35mm or 120 formats! Shoot more, save more! Get 15% discount on Lomography Films when you purchase film with the Lubitel camera!
In this short article (dedicated to everyone who wears eyeglasses with plastic lenses), I suggest a simple trick to avoid the risk of scratching your eyeglass lenses when using a Lomo LC-A, LC-A+ or an LC-Wide camera.