We’re fizzing with excitement to introduce our latest Kickstarter project: the Lomo’Instant Square. We’re talking about the world’s first analogue camera to produce square-format Instax pictures. It features a 95mm glass lens for super sharp photos, an advanced automatic mode that takes care of exposure, all of Lomography’s signature creative features — and a compact, foldable design. The Lomo’Instant Square has launched on Kickstarter. Come join the fun and back us on Kickstarter now to save up to 35% on the planned retail price, and scoop all sorts of extra treats. Be sure to snatch up the deals before they run out. Be there and be square!
Instant cameras are not just for capturing sunlit adventures. Take it for a spin once the sun goes down and freeze the night light into a mesmerizing print. Follow the lead of these "Now or Never" winners!
Filmmaker Steven Soderbergh is known as a chameleon of color, known for using striking, strong color casts in which frames are saturated with one hue. In this video, Fandor Channel studies the palettes and the neighboring colors that make each scene "out of this world".
A new year calls for new habits. Planning them are easy, it's the execution part that's hard. No worries though, dear Lomographer! Starting this year, we gladly take the role of being your weekly memo for a productive weekend.
Are you wondering what the best photograph on a specific day of 2016 was? Tune in on this special recap where we'll track the daily image that captured the community's attention last year. For January, lomographers welcomed the arrival of new year with a fresh batch of soulful portraits and moody vistas.
Are you wondering what the best photograph on a specific day of 2016 was? Tune in on this special recap where we'll track the daily image that captured the community's attention last year. For May, lomographers mostly played with repeating patterns, minimalist composition, and rough rendering.
What makes up a Sofia Coppola film? What're the criteria to consider something as Sofia Coppola-esque? Is it with the pastels or soft lighting? Or the drunk-then-sobered cinematography? This super-edit of Jacob Swinney might have the answers.