The love of photography never really leaves anyone. For staff sergeant Ed Drew, he brought his photography artistry during his deployment in the war zone in Afghanistan.
The Brooklyn-born photographer Ed Drew brought his love for photography to the sandy and sun-lit soil of Afghanistan. His tintype photographs document the lives of the men and women serving the United States Air Force Combat Rescue Unit in Helmand Province, Afghanistan.
His carefully created and meticulously produced tintype photos show the life of the servicemen during their time of deployment. The other photographs share a candid look at the otherwise serious location but what stands out is the fact that Ed Drew’s tintypes are the first of their kind in a battlefield since the technique was used during the Civil War. Drew knew that he was going to need a few things to keep him busy while on tour that’s why he kept his photography sharp. With this case, he moved way past sharp, Drew wrote an ode to this classic photographic art.
Tintype photography offers a rich historical feel to the lives of the people that Drew served with. Their portraits are a shout out to the old school Civil War tintype photographs that now fittingly belong to museums and galleries. Ed Drew’s challenge came from the process of producing the prints themselves. Tintype photography has a rich and old-looking beauty to it and is as difficult to complete, more so with the harsh environment of Afghanistan.
"Photography is a reflection of heart." These are the words of Martin Liu, a documentary, wedding and portrait photographer from Hong Kong. He believes that the photographer must understand the stories, experiences and values of his or her subjects to capture the different faces of love. To capture priceless moments for a smitten pair, he brings the Minitar-1 Lens to Mongolia for a one-of-a-kind shoot. Hear the story behind this shoot, and the rest of Martin Liu's journeys in this exclusive interview.
One Christmas, David Townsend was given the Konstruktor by his wife. It sparked an idea in his head, taking inspiration from Jack Lowe's Lifeboat Station project and his love for photography. He built and beautifully customised the Konstruktor and has just embarked on his own long term analogue project, because a camera is for life, not just for Christmas. Learn more about his project in this interview.
In 2009, Neil Krug uploaded a commercial for Pulp Art Book on Youtube. In the comments section someone asked, “Does anyone know what kind of camera he uses or how he gets his pictures to look the way they do?” Krug was on to something. He did something wildly intriguing, one that looked to have a secret formula.
For Patrice Baunov, film photography is an "intimate medium that shows the interaction between the photographer and his surroundings during a specific moment." In this interview, our well-rounded newcomer from Berlin, Germany talks about his wide range of interests and how he applies Lomography's "Don't think just shoot" attitude on his photography and daily life.
He calls himself Khalik Allah – a creator, a limitless, timeless, infinite being. He documents life as it comes and goes, as it hurts, as it glows inside the protagonists of his stories. His photography and videography take us deep into the never-ending nights of Harlem, a place where the darkness might seem to reach its peak. Yet, he is capturing light in its purest form, reminding us that it lies in everyone’s eyes, within everyone’s self.
Vincent Chan doesn’t like constraints. He is passionate about natural and quiet environments. He launched Compose The Story, which provides photography and cinematography services, recently as a means for him and his colleagues to document the beauty of their surroundings. He brings the the Petzval 58 Bokeh Control Lens into the country, and shares glimpses of its beauty in pictures.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.
As a core member of Yamanaka Yuko, a local hiking group based in Hong Kong, AM Renault is deeply in love with nature. He is also part of the creative photography group Six Dimen Boy and is good at intertwining photography with art and design elements -- making photos not only useful for documenting what we see, but also as a means to tickle the imagination. The young and talented AM tried out the New Russar+ lens while traveling in Japan with his father. He talks about his experience and shares the sights from his journey in this Lomography Magazine exclusive.
Bernhard Rauscher's passion for light painting photography is as vibrant as his creations. His light paintings are either craftily executed renditions of things you see in everyday life, or fanciful abstract figures. He uses do-it-yourself devices made from water bottles and tinsel as light painting tools. Part of his collection of magical devices is the Pixelstick, which he talks about in this exclusive interview.
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New York City-based graphic designer Markus Hartel has a passion for street photography. On one of his last strolls through the city, he captured some scenes on the busy streets with the New Russar+ Lens. Read on to learn about his experience photographing with the Russar+ and get insider info on how it is to be a street photographer in the Big Apple.