Still on the topic of 110 film cartrides, Color Tiger 200 is Lomography’s first ever color negative film for the minuscule format. Be on the prowl for colorful subjects and see this film roar!
As with all nocturnal hunters, the Lomography Color Tiger 110 is blessed with excellent sight. Its 200 ISO enables it to see its prey by day and with a little help from a flash by night. Capture sharp, colorful pictures with this roaring legend! Color Tiger 200 ISO 110 is Lomography’s first color negative film for the 110 format and it’ll blow you away with its compact cuteness and colorful hues!
We can always count on Brian Bruno and Audrey Kitching to take us from our screens straight into an analog fairy tale. But when he recently loaded his camera with the first roll of Color Negative F2 / 400 120 film, they still managed to surprise us with this stunning series.
"The White Girl" is currently showing in theatres in Hong Kong. We invited photographer Wilson Lee to join the set for a day and use the New Jupiter 3+ and Petzval 85 art lens to capture all the wonderful moments. This is also the first time for Wilson to shoot stills for films. He shared his first-time experience in this interview.
Alessandro Casagrande is one-of-a-kind photographer who embarked on this photographic journey when he got his very first camera from his father. He has been taking photos ever since, and his photographs will help you see the world from a whole new perspective.
From its charming design to the dreamy photographs it takes, it's hard not to be smitten with the Diana F+. On its 10th year celebration, Lomographers and longtime fans of Lomography's reigning retro queen remember how their first meeting with this lovely camera evolved to an everlasting love.
For lomographer Ana Batrićević, shooting on film is a welcome break from her mostly digital work. With her grandfather's camera, she documents the world around her in nostalgic hues, a process that serves as a reminder of her childhood. Get to know our newcomer of the week in this interview.
In this second installment of our special two-part feature on cinematic photographers, we take a look back to more photographers who have mastered the dreamy, often surreal aesthetic of cinematic photography.
Nick Collingwood is an avid film photographer and active Lomography community member in New York City. He loves experimenting, which is why the LomoChrome Purple was his choice of film for his travels to Joshua Tree National Park and Portugal.
If you want to take your creative, analogue experience to the next level why not try starting up a film swap project. You'll get to work with other budding photographers in revealing something totally unique and one-off. This article gives you some tips on getting it right the first time.