When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
In this series photographer and analogue enthusiast Simeon Smith talks about the use of minimalism in photography and how he applied this method to his own work. In this article he uses the Voigtlander Bessa L camera and a roll of Black and White film.
A long-time fan of plastic cameras, Argentinean writer and photographer Lorraine Healy is the author of “Tricks With A Plastic Wonder,” a manual for achieving better results with a Holga camera. In this article, Healy shares some of the images taken with a Lomo’Instant Wide during a recent road trip.
For French photographer Nathalie Dufaur-Dessus, taking a photograph is more than just finding the perfect lighting or composition—it's about sharing a piece of oneself to the audience through an emotional visual story. Dive deeper into the mind of our TEN AND ONE Awards judges in this interview.
You may have heard of Kurt Moser's Kickstarter campaign (which ended successfully) to create a huge camera obscura out of an old military truck with the rare APO NIKKOR 1780mm. Here's the result following the campaign's success.