One of our regular first roll testers, Brian Bruno, had an exceptional shoot set to work hand in hand with the Lomography F²/400 Color Negative Film. In this interview, he shares his photos and thoughts on the film.
The existence of light grants us to see the whole spectrum of the prism. As we walk our way across the rainbow, we study, ruse and add meanings to the colors. For this week, we have the color that never goes out of style.
Earlier this year we were chuffed to launch a very memorable type of 35mm film: the Lomography Color Negative F²/400. We had recovered it from the last ever supply of an Italian filmmaker, and stocked it for seven years in special conditions. Much sought after for the film's nostalgic aesthetic, beautiful blue tones, with hints of X-Pro character, the F²/400 35mm rolls flew off our shelves like hotcakes – and rapidly went out of stock worldwide.
For the "Cinematic Images" competition, Lomography and the Indie Street Film Festival called to see some of the most unique photographs, balanced between cinema and still photographic styles, using elements of classic and contemporary cinema. Let's check out the winners!
Lomography UK were lucky enough to be given a few rolls of Lomography F2/400 Color Negative film to test out before the launch. We gave a roll to our wholesale manager Bea Dewhurst who took some shots of her favourite things.