While the “tin” in tintype gives a clue on the taking medium of the age-old photographic process, it seemed to have sparked an interesting concept and idea in photographer David Emitt Adams. Take a look at his interesting work after the jump!
Traditional tintypes involve developing images over black iron plates coated with collodion and photosensitized afterwards, but photographer David Emitt Adams came up with a brilliant idea to make unique tintypes: he used old, rusty cans in place of the iron plates.
For his series called Conversations with History, Adams collects discarded cans coated with the distinct rustiness painted by time and exposure to elements out in the Arizona desert. The “reddish-brown rusty patina,” he says, is the “evidence of light and time, the two main components inherent in the very nature of photography.” From this realization, he imprints the cans through the tintype process with some images that “speak of human involvement” with the deserts of the American West.
On the Arizona desert, which he knew since childhood, he says:
“Never have I known this landscape without roads, homes, buildings or urban sprawl. This notion of land untouched by the hand of man is so foreign it might as well be make-believe. As long as people have been in the American West, we have found its barren desert landscapes to be an environment perfect for dumping and forgetting.”
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What do you think of this series of unique tintypes by David Emitt Adams? Share your insights with a comment below!