When experimenting with new rolls of film, it's often the first roll that brings both the most joy and the most trial & tribulation. We want to start highlighting some successful first attempts here on our Magazine with our films. The first in this line up is Brian Bruno aka Brunoroids.
For some, it marked their first foray into the wonderful world of analog photography. Others consider it a trusty, go-to camera despite having a massive camera collection which sometimes include some of the best gear there is. Whatever the case may be, toy cameras will always hold a special place in the hearts (and shelves) of analog photographers everywhere, quirks and all.
When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.
Last year, the directors and filmmakers Amaury Voslion and Richard Dumas asked us if they could borrow the Petzval 58 Bokeh Control art lens to shoot the Tindersticks’s new video. We were really enthusiastic to participate in this project! Today, we are happy to announce the exclusive launch of the video, right here on Lomography’s website! You’ve read it right: you are the FIRST ones to enjoy this new visual adventure straight from their latest album titled 'The Waiting Room.' Plus, Stuart Staples of Tindersticks, Amaury Voslion and Richard Dumas tell us more about themselves and their work in this exclusive interview.
We are living in the time when very few things may surprise or shock us. However, being courageous to express emotions and show a naked female body is still a controversy and the topic of numerous discussions.
It's human nature to be restless and imaginative. The real may be interpreted as what one sees or how one sees something. For the daydreamer, a scene from nature transforms into a canvas. Suddenly a field makes room for chemical coloring, all those anachronistic streaks that somehow look right. Or else, those beautiful colors amplified or subdued to their most pictorial shades. All in the world of trial-and-process film photography.
2015 is one eventful year for Lomography and the entire community. Not only did we get to move into a brand new website, welcome fresh and exciting products, and be part of each other's analog adventures, we also had the chance to meet these amazing and talented newbies. Let's all give a loud round of applause for our most popular newcomers of 2015!
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
Do you long for the dreamy soft focus that only the Daguerreotype Achromat 2.9/64 Art Lens can give your photos? Grab it in the lens mount of your choice! Brass versions are now available for purchase in the shop!
Traveling and taking photographs go hand in hand. This has never been more true in the case of Stéphane Heinz, or @vicuna in the community, whose unspoken mission is to capture riveting stories and pure emotions on every place he visits.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Tamara Lichtenstein is a 26 years old photographer based in Texas. We first noticed her beautiful work couple of years ago when she amazed us with her analogue photography. We got the opportunity to talk to Tamara once again and see what has change since we last spoke to her.