A bit worried about using a redscale film? I say worry not!
When used under the right amount of exposure and a good choice of camera, this film would definitely give you that wild satisfaction you seek. Why not click that MX button too and you might even be surprised of what amazing results it could bring. See this rad one by jasiehasie, totally amazing!
Most of us organize our photo albums according to events or places. Some prefer to classify their photographs according to film or technique, while others compile their best shots. Have a look at this month's most noteworthy albums and learn how to tell your stories through visual organization.
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. Here's how I revived my Instamatic cameras.
Last year, my wife and I visited the Parque Natural de Sintra-Cascais close to Lisbon. It was a gorgeous hike from some beautiful ruins to the most western point of the European mainland, Cabo da Roca.
We're grateful for the overwhelming support from all our KickStarter backers. For those who were late to the party, we're happy to let you know that the Daguerreotype Achromat 2.9/64 Art Lens is now available for pre-order in the shop! Estimated delivery date slated for January 2017!
Maxime Fardeau, or Max as he is fondly called, loves film. He has been shooting analogue for about four years and owns a number of 35mm film and instant cameras, such as the Leica M6 and SLR-670 Polaroid. He has taken photos using the Lomo'Instant and the Minitar-1 Art Lens and this time around, he provides a glimpse of the images she produced with the Jupiter 3+ Art Lens.
Among the many public events of last year's winter in my hometown Como (that I documented with my albums and with my articles), I think that the most important was the opening ceremony of the jubilee proclaimed by Pope Francis. I photographed everything with my beloved Canon AV-1. Take a look!
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. I'll start with Rapid film.
This article is dedicated to one of the finest British sport photographers, Monte Fresco. In his 30 years of reportage for the Daily Mirror, he took some of the most iconic photographs in sporting history. He covered football, tennis, and boxing. But it is his ice skating pictures that I am most fascinated with. Using my own lens, I give him a modern tribute.
Because here’s the thing about film photography that I doubt a digital camera can give you: Permanence, photographs that truly and literally stay with you, not just in a physical form but also in your head and in your heart.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
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London based photographer Cat Stevens uses the softer, more subtle aesthetics of film photography throughout her work. Her shoots consist of the familiar light leaks and washed out tones that most film shooters will be familiar with. She has photographed artists such as Deerhunter, PJ Harvey and recently took a series of sun drenched beach shots which adorned The Charlatans' last album cover titled "Modern Nature."
The name Hodachrome is one of the most popular in the Lomography community. It has become synonymous with the acronym EBS, which stands for exposing both sides of the film. These multiple-exposed photos have an unmistakable style in the vein of ecstatic carnivals and exaggerated dreams. The man behind the vivid shots, Hodaka Yamamoto, talks to us about the habits of a good experimental photographer.
In order to escape the world of facts and figures, tax auditor Martin Dietrich discovered photography as his creative counterpart almost seven years ago. On a trip to Paris he fell in love with analog photography and the magic of film has been fascinating to him since then. But he also appreciates the benefits of digital photography. For Lomography he tested the Lomo LC-A Minitar-1 Art Lens on his Fuji X-Pro 1 camera. Check out Martin's photos and learn more about the founder of the popular Neoprime magazine.