It's no secret that the Lubitel 166+ produces bold, saturated colours that'll make your jaw drop to the floor! But the tones and contrast of this twin-lens camera carry across to black and white just as brilliantly. Here are some breathtaking grayscale photographs from our Online Community!
Give your smartphone photos that analogue touch with the Fuji Instax Share Smartphone Printer! Shoot with your smartphone, send photos via the free app, and print on Fuji Instax Mini film! Both Silver and Gold version now available in the shop!
*available in selected markets
The Petzval 85 and 58 Lenses remain favorites among Lomographers because of the quality bokeh, perfect for making dreamy portraits, à la classic paintings. But portraiture is more than just showing off a pretty face in a classic, vertical orientation: It's a marriage of elements. Think of it in terms of attitude and personality.
"Is it acceptable to photograph the homeless?" is one of the most hotly-debated topics when it comes to street photography. There are two opposing sides to this: those who believe it is, and those who don't. For those who do, capturing such photographs is mere documentation of the world around us. For those who don't, doing so is a form of exploitation.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
We're grateful for the overwhelming support from all our KickStarter backers. For those who were late to the party, we're happy to let you know that the Daguerreotype Achromat 2.9/64 Art Lens is now available for pre-order in the shop! Estimated delivery date slated for January 2017!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.