You might have missed some of the most read articles and most liked photos from Lomography in 2012 so catch up with our year-end recaps and take a look at the most popular content from the Magazine this year. Check out what created a buzz in May!
A new year is fast approaching, and while we're excited about what's in store for us, we invite you to have a look at this year's most trending content. This collection is based on what you liked on the Lomography website and on our social media, as well as favorites picked by the Magazine staff.
Everyday a thousand photographs come in the community, all in lieu of the Lomographic aesthetic. Some just shine just above the rest -- and we'd like to commend those Lomographers who took their art beyond and caught everyone's attention. Let's take a look at the most popular snapshots of 2016.
Are you wondering what the best photograph on a specific day of 2016 was? Tune in on this special recap where we'll track the daily image that captured the community's attention last year. For May, lomographers mostly played with repeating patterns, minimalist composition, and rough rendering.
Among the many public events of last year's winter in my hometown Como (that I documented with my albums and with my articles), I think that the most important was the opening ceremony of the jubilee proclaimed by Pope Francis. I photographed everything with my beloved Canon AV-1. Take a look!
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Do you love music? Lomography USA and Columbia Records have teamed up to find talented analog photographers to shoot concerts on film and have the work featured here in the Magazine. Check out this list of cities in which we are searching for a Lomographer, some shows as early as next week!
Lomography NYC chats with indie musician Zuli and his tour photographer Dave about experiences on the road, like how a broken down van was not so great in the moment but ended up making for a really great photo, and shooting with their new favorite camera, the Sprocket Rocket!
Last Month Lomography UK hosted three Lomo’instant Wide workshops at the Wellcome Collection for 14-19 year olds. We covered the Close-up lens, remote controlled lens cap and the multiple exposure button. Take a look at some of the amazing shots from the day.
12 New Media students from the University of Texas, all armed with Lomography cameras, travelled to New York City for an advanced studio art course in May 2016. They each shot one roll of film in a LomoKino per day, and the results were exciting and diverse. Read more here.
We constantly search far and wide, meticulously seek out, hunt down, and hand-pick some of the most experimental and alternative gear out there - and we've now gathered them all in one easy to browse shop category, ready for the picking! In the Lomo-Bazaar, you canalso be part of our process of collecting fresh new products, rare treasures, and crowd-funded creations to sell on the shop - after all, they’re all for you! Get in touch with us to share your suggestions for amazing gear - go on, we’re all ears!
As the year comes to a close, Lomography Soho looks back on the top 5 highlights of 2016. We ran an LC-A+ workshop with Blurb who printed up all the shots from this workshop and made a groovy book. It's our Number 3 UK event of 2016.
Veteran Coachella attendee and LA music photographer Agueda Zarate provides an inside look at this year's music and arts festival in Indio, California, known for its carefree cultural vibes, through the lens of the Lomo'Instant Automat. Read her interview with Lomography NYC here.
Earlier this year we were chuffed to launch a very memorable type of 35mm film: the Lomography Color Negative F²/400. We had recovered it from the last ever supply of an Italian filmmaker, and stocked it for seven years in special conditions. Much sought after for the film's nostalgic aesthetic, beautiful blue tones, with hints of X-Pro character, the F²/400 35mm rolls flew off our shelves like hotcakes – and rapidly went out of stock worldwide.