The objective of this quickie tipster is to increase the possibilities of having motion blur on your Horizon shots. How? Read on!
When shooting moving subjects using Horizon Cameras, the direction of your subject should be from left to right. Since the lens of these Russian beauties are panning, or swinging from left to right, then the subject is most likely to appear as ‘moving’ or having ‘motion blur’ if you shoot subjects moving from left to right. You should not shoot against the direction of the lens for a more blurry shot.
Also, you can use the night mode or slow shutter setting of your Horizon Camera in broad daylight but remember to use slow films or redscale films to avoid over exposure. Steady hands are required too!
All photos above were shot using my Horizon Kompakt. Go ahead and try it with yours too!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
An indie band from Singapore, Take Two, released a music video for their song 'In Your Arms' earlier this year. The video was shot and produced by SNAP productions with the Pixelstick to create stunning light-painting effects. Read on to know more about the production of the video and what the people at SNAP Productions think about the Pixelstick!
When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.
Lomography is known for having a vintage sensibility. Several products allow artists to achieve nostalgic results, but ultimately, it's creative manipulation (with a tinge of rebellion) that creates original shots.
In 2009, Neil Krug uploaded a commercial for Pulp Art Book on Youtube. In the comments section someone asked, “Does anyone know what kind of camera he uses or how he gets his pictures to look the way they do?” Krug was on to something. He did something wildly intriguing, one that looked to have a secret formula.
We're thrilled to present our new Kickstarter project—the New Lomography Daguerreotype Achromat 2.9/64 Art Lens! Inspired by the bold brass design of the world's first photographic optic, the Daguerreotype Achromat Art Lens is a versatile tool seeking the great return of dreamy imagery.
I have always loved the idea of seeing my photos on stone and other natural materials. So, a few months ago, I began googling how it could be done. This is how I discovered (and fell in love with) liquid emulsion. Liquid emulsion is photographic emulsion which you can melt down and paint on any surface. You can then expose an image and develop it using traditional darkroom chemicals. In this article, I would like to explain the process a little, so that if you are also interested in giving this fun process a go, you can!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
It's Tipstember! For this month, we will be awarding 25 fat piggies to every tipster article that gets published on the Lomography Magazine. You can share tips on composition, lighting, film experiments and camera modifications; or maybe techniques for shooting portraits, landscapes, still life and even wildlife! If you don't have tricks up your sleeve, however, you can still contribute to the Magazine and let your voice be heard. Here are some suggestions.
The LC-Wide is definitely one of Lomography's must-have cameras. Its Minigon 1 Ultra-Wide-Angle lens adds a different flavor to your shots, on top of the stunning vignettes, intense colors and breathtaking saturation and contrast LC-A cameras are known for. The Lomography Team is no stranger to the LC-Wide's creative potential, and has proven it capable of the most captivating images. First on the list is danika, from the Lomography Headquarters in Vienna.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!