Ultrafine makes Extreme 400 in 120 and 35mm styles. I tested them both and find out there is some differences.
Ultrafine is store that sells its own line of Black and White films in 35 and 120 in ISOs of 100 and 400. You can buy directly from their website or one of their re-sellers. In the past year I had the opportunity to purchase a bulk pack of the Ultrafine Extreme 400 first in 120 then shortly after in the 35mm format.
My first shots in the 120 format were a bit over-exposed by my Holga on a sunny Sunday morning, but the images were clear and low grain.
And in the Southern Hemisphere another Lomographer tried it out with a Diana F+.
Satisfied with the results I purchased a bulk pack of the 35mm in 36 exposures.
Taken with Canon AE-1:
I also ran it through the Sprocket Rocket:
I am not sure if these really are the both the same film stock material. I find a more noticable grain in the 35mm format, but I have read that the nature of medium format film causes less grain even at higher ISO. Which is a either a desired result or an unwanted one, depending on the photographer.
I would recommend the 120 format the most. Its negatives were decent to work with and the grain is nice for its size. The tones are also clear.
My thanks to adam_g2000 for allowing me to use some of his lomographs.
Andrej Russkovskij AKA Andrea Russo is an avid film photographer and active community member who has a soft spot for portraits, making him the quintessential Petzval Amigo. He recently tested the Petzval 85 Art Lens with different kinds of film, among them black and white, Velvia 50, Kodak Elitechrome and Fuji Superia 200.
Get out of your comfort zone and explore your city in a totally different angle - when you try to think more and experiment, you will find that there is always something fun in your everyday life! Let your creativity roam, visit every corner of your city, and share with us your discoveries!
In 2015 we had been fortunate enough to talk with photographers, with practices and insights unique from one another, from all over the globe. And not only were we able to see their works; we were also able to dig a little deeper and find out what makes each one of them tick. In this special recap, we present a handpicked selection of insightful quotes from some of our most memorable interviews this year.
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Janne Parviainen is a 35-year-old artist from Helsinki, Finland. He is both a painter and a photographer but sometimes, he swaps his painting tools for light and creates illuminated pieces of art. Abandoned places are his favorite places for shoots because, according to him, "there's so much lived life and stories in abandoned places, they are the lost diaries and photos turned to dust of lives that once bloomed."
We all know about 35mm and 120 film, right? And since Lomography re-introduced 110 film, we have another film format to play with. But in the years past, many more film formats were in use. Let me introduce you to a few golden oldies and tell you about my experiences with them. Here's how I revived my Instamatic cameras.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
In the hands of those capable wielding it, art can be a powerful weapon. With it, for one, creation of fantastical realms far removed from the one we live in is entirely possible. Through collage making, Eugenia Loli builds such worlds that invite the audience not only to marvel at them but also, and most importantly, to see through the hodgepodge of images to find meaning and formulate interpretations.
North or South, East or West - in every corner of Germany you can find analog photography lovers. Lomography brings them together and shows their pictures to a worldwide community. With this rumble we want to get to know you a little better. Show Lomography and fotoforum where you come from, capture your hometown on film and win a one-year subscription of fotoforum magazine as well as a Lomo LC-A 120 camera. Please note: This competition is only for users from Germany, Austria or Switzerland.
The yuletide season is just around the corner! And you know what this means –very soon you’ll be hanging out with your loved ones, sipping hot cocoa and trying your luck in skiing some snowy slopes. Make sure that you’re ready to seize these special moments with Lomography!
Thanks to the overwhelming support from our KickStarter backers, the Lomo'Instant Automat KS project was an outstanding success! For the fashionably late, we're happy to let you know that the Lomo'Instant Automat is now available for pre-order in the shop! Preorder now and get all a strap, splitzer, & extra color gels for FREE! Get it for Christmas!
Shh! We've got a secret matter at hand, and it's coming at you at the speed of light!
We're being as mysterious as the Cosmos about our new out-of-this world product, constantly orbiting around our big reveal. But the eclipse will pass and soon the stars will align. Until then, there must be some questions floating around in the universe, right? Well, there's no need to look to the stars to find your answer! Stay on Lomography's wavelength as we kick into hyperdrive. Let your imagination skyrocket and see if you can decipher our otherworldly clues!
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.