One body, two lenses never looking at the same direction. A camera designed by me to have more fun with mixed doubles.
The idea of designing such a camera was inspired by my irresistible desire to make controlled doubles in real time as we do multi-exposures shots. And saying doubles I mean shots mixing usual exposure with a redscale one.
Moreover, I tried a lot of times before with usual cameras to match two exposures of a future double shot using masks placed directly in front of the film. But I didn’t manage to match to images precisely because of inaccuracy of the camera rewind system. Images shifted leaving black “shadows” or even holes of used masks. Sometimes it looked good, but usually not.
So I took a Smena 8M as a base to create a camera having two lenses from both sides of the film. As the result, I got a camera letting me make usual and redscale shots after each other or mix them having at least a general idea what I’ll get.
Also I can match masks more precise now.
And finally Smena-Siam itself.
I believe that such a “siam” camera could be build on the basis of other film cameras. The matter depends only on your head-piece =)
By far the oddest-looking camera I own, the Electric Eye is an auto-exposure viewfinder camera made by Bell & Howell in the late 1950s. I picked one up online and ended up with another one, that came with a very cool, retro looking carrying case, from my grandfather. It took a little while to try these two out but after running some film I found that this camera is a lot of fun to shoot with.
Here’s what happens before we interview a photographer. We gush about the work though we have yet to find out the cameras and processes behind the brilliant composition or the light architecture. And even when they haven’t used a Lomo camera, we feature them anyway. But every once in a while comes a pro who uses one of our premium lenses at work and our fun cameras off-duty. This makes us mighty glad, more so when their images are good and worth sharing. We count cinematographer Michal Dabal's work among them.
At first, Skyler only visited the Lomography website to take a look at sample photographs taken with different point-and-shoot cameras. Seeing the immense focus given by the community to film photography and experimentation, two things she absolutely loves, she immediately signed up and started her own LomoHome. In this interview, she talks about her go-to camera, the difference between digital and film photography and more.
We’re back on track with the Lomopedia series - the place to get a quick heads up on what’s what with cameras, lenses, and films you may come across with. For this comeback installment, we’re taking a look at the simple but dependable Industar 26M 50mm lens.
Photographer AM Renault is a core member of Yamanaka Yuko and Six Dimen Boy. He is deeply in love with nature, a thing he always intertwines with photography and design. This time, Lomography is honored to have AM Renault shoot with the New Jupiter 3+ Art Lens. What's more, one of his photos has been chosen as the cover of the product package.
Thanks to the overwhelming support from our KickStarter backers, the Lomo'Instant Automat KS project was an outstanding success! For the fashionably late, we're happy to let you know that the Lomo'Instant Automat is now available for pre-order in the shop! Preorder now and get all a strap, splitzer, & extra color gels for FREE! Get it for Christmas!
A self-portrait may take root in confidence, extreme shyness or alternate bouts of each. Leanne Surfleet goes through this kind of fluctuation when the camera is all eyes. The attraction—as far as we’re concerned—is the mix of uncertainty and a kind of quiet poise. And here and there, a flash of skin that is more a mystery than full-on revelation. Even Surfleet’s portraits of other people have the same hushed invite, as if to say questions are encouraged. There we took our cue.
An indie band from Singapore, Take Two, released a music video for their song 'In Your Arms' earlier this year. The video was shot and produced by SNAP productions with the Pixelstick to create stunning light-painting effects. Read on to know more about the production of the video and what the people at SNAP Productions think about the Pixelstick!
Selver Yildirim is Art and Design student from Istanbul, Turkey. She also designs for the brand which she co- founded with her friends. In her designs and paintings, she incorporates a breezy take on daily life and reveals a personal yet unique approach to her work. She used the same aesthetic when she he designed a La Sardina DIY camera with whimsical illustrations and colors.
Take advantage of the last day of the week-long Film Deal! Buy 5 of the same kind of your favorite B/W, Color Negative, or Red Scale Lomography film to your cart and pay the price for 4 when you use LOMOFILM54 on check out! Film Deal ends today! Make it count!
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
For this week's selection, we put the spotlight on the lovely silhouettes captured by our community members with their Diana F+ cameras. Have a look and, while you're at it, learn how you can earn piggies and have your own photos be featured on the Online Shop!