Losing light but still want to shoot? Iso100 film giving you the blurry blues? Have no fear, Fuji Press 800 is here!
Sometimes our default iso100 film just doesn’t cut it. Sure, it gives us wonderful grain and fantastic hues but when we’re indoors or the sun is playing hide-and-seek, we have a hard time shooting, especially with our coffee-addled shaky hands. You could bring a tripod but sometimes it’s not practical to do so. What can you do then? Get higher iso film, in this case, from Fuji with their low light wonder, Press800! Using it gives you 3 more f-stops so you can be sure to catch the last glimpse of light over the horizon or the decisive moment even indoors!
Check out these images from the Photos page and you can see for yourself the fine grain and its low light capabilities. You can even use it outdoors if you want, just make sure to watch the exposure lest you overexpose it!
Most venues will have a huge in caps policy for "NO FLASH PHOTOGRAPHY" but when the only lights you have are on stage or just a light bulb in a basement or coffee shop, how do you capture a good exposure? These are the tips and tricks for shooting great photos with little to no light and no flash.
As of August 19th, we will no longer have an in-store film drop-off-service at the Lomography Gallery Store NYC. You can still send your rolls in for development with us through our LomoLab Online Service in our online shop.
To be a photographer, you have to capture the unseen and the abstract. And when you do, you grow one step empathetic. Here we review Lomographs that straight out speak of human emotions, one befitting for our Halloween special: the look of fear.
One of the many gripes of a film photographer is how difficult it is to take the perfect indoor shot -- it's either over or underexposed. You've tweaked the settings too many a time and it still doesn't work. So here's David Hancock on his own tips for shooting indoors with film.
Color plays a huge but 'subtly-there' role in films. They give out the message and intention, the mood and feelings without being obvious. And David Fincher is no exception to manipulating our perception through his conflict-loving palettes.
We have a creative solution to battling your Monday blues: try to picture your daily grind like a Wes Anderson movie with all the colors and symmetry around you! Here's our Monday Moodboard to inspire you.
Do you want to get better-exposed pictures with your Lomo'Instant? All you need is a light meter and a little bit of knowledge about time and aperture. This Tipster teaches you all the basics you need to know.
The ambiance is a crucial factor to consider when shooting photographs as light, color, and texture make up the overall visual aesthetic of an image. The Lobster Redscale 110 does not only bathe pictures in striking red but in other hues as well.
We want to hear from you about your journey in analogue. Do you have a favourite Lomography or analogue camera that changed the way you take photos? Did it launch your career? Find out how to share your story here.
"The White Girl" is currently showing in theatres in Hong Kong. We invited photographer Wilson Lee to join the set for a day and use the New Jupiter 3+ and Petzval 85 art lens to capture all the wonderful moments. This is also the first time for Wilson to shoot stills for films. He shared his first-time experience in this interview.