A mistake at the developers leads to a different type of X-Pro. Read about this happy accident after the jump!
One time, while dropping off my film at the developers, I had a half dozen rolls of black and white rolls and one lonely roll of expired roll of Solaris 100. When I returned the next day, the shop keeper looked upset. He felt terrible that the employee was on a roll (so to speak) and just threw that poor color roll in with the black and white. I wasn’t mad because it was only a test roll for a batch of this expired Solaris film I bought, but he insisted my order was free. Curiosity still had the better of me and I had to scan the results. I could still get about fourteen usable images, with heavy grain. I am not sure if you could time the chemicals yourself and get better results, but I found this to be a happy accident and a learning experience.
What do you think about this unusual way to x-pro? Have any of you guys tried it, and got interesting results? Tell us about it!
Browsing through the Lomography website, you can find a lot of redscale shots, which are all done on color negative films. I asked myself if it’s possible to redscale a slide or chrome film and then cross process it. (And yes, it is.) In this tipster I’m going to teach you how to create the bloodiest homemade redscale film I've ever come across.
A popular quote by photojournalist Ted Grant goes, "When you photograph people in color, you photograph their clothes. But when you photograph people in black and white, you photograph their souls!" Indeed, the lack of vibrant color forces the viewer to see beyond what is on plain view and recognize the atmosphere surrounding a photograph. In this post, we've handpicked black and white shots taken in various situations and exhibit different moods.
Named for the Italian city situated in the Lombardy region, overflowing with art and culture, say hello to the colorful aesthetics of the new Lomo'Instant Milano, the latest member of the Lomo'Instant family!
In today’s busy society, continuous and repetitive life patterns always lead us to sometimes feel lost in the midst of it all. Lomography Hong Kong has teamed up with Fashion Walk to create a new analogue photography exhibition. Let’s explore your city in a totally different angle!
Where black and white brings an air of elegance, mystery, and rawness, color suggests life and all things happy and vibrant. Here are a few scenes and moments from everyday life that will always be perfectly captured in full color.
Colors may be amped to look unreal, like nothing of this world. Shots may be doubled, cross-processed, post-processed, mixed up into collages. The possibilities are infinite, yet some photographers still prefer black and white. Even in 2016, it is an ode to classic values of precision and balance. Light and shadow must be one pleasing dance. And just like in a well-choreographed piece, forms are obvious or playing coy. It all depends on how you're looking.
Emily Beaver got the community hooked on her compelling black and white portraits of musicians. Despite the absence of colors, her images are enliven by the intense emotions of her subjects. In this interview, our newcomer of the week opens up about her passion for photography, shooting exclusively with an LC-A, and more.
Aside from developing his own black and white negatives, he also crafts pinhole cameras out of ordinary boxes. His dreamy, soft-focus lomographs even inspired some of the community members to go lens-less on their next photo shoot. Let's get to know more about our newcomer of the week from Sheffield, United Kingdom, sandy_sun!
When a photographer encounters a pair, an instinct rushes in, "Is this a special, intimate moment I just stumbled on?" Or else, those accidents of two objects, two birds, two swaying plants camping together especially for your photo. This might not be the case, but it's still a pleasant thing for patterns and quirks to find their way into an everyday shot.