One of my favorite things about shooting analogue is you can do a double exposure on one single frame. Whether hitting that MX switch or having to do a film swap with other lomographers gets me so excited with the results. Here are a few of my favorite doubles and film swap shots that I have.
I have become a fan of double exposures since following the works of one of Manila’s finest lomographers @stitch. He is one of those, in my opinion, who have perfected the MX shots. Especially the ones that includes clouds. I have seen plenty of double exposure shots around LSI but @stitch’s MX shots were the ones that made a mark.
I just wanted to share as well those that I have taken. It would seem easy to take shots like it but if I may add, there may be one outstanding shot that would really catch your attention in probably 10 shots that you take. So, these are the ones that I have taken throughout my crazy lomography days. So, it may be all that easy to hit that MX switch but it takes patience and great timing to get that eye-catching photo. But an easier way is to do a film swap with other lomographers. Especially, those from other countries. It is a whole lot exciting and way fun!
Whether eye-catching or not, doing double exposures on your shots is way, way exciting and fun. So, when shooting a roll, try at least shooting 5-10 double exposure shots. Or shoot a whole roll and swap it with another lomographer. Definitely, doing double exposures doubles the fun and excitement of shooting analogue.
I recently found a roll of XR Redscale 50-200 film lying around in my drawer and decided to reignite my passion for embracing the weird and unexpected results that film can bring. I shot random doubles around the streets of Soho and was rather delighted with the results.
It goes without saying that street photography is one of the most exciting and fulfilling practices a photographer can do. But for some, especially the beginners, the prospect of hitting the streets can be a little daunting. Here, we dish out a few tips to help shake off anxiety.
One of the things I like the most about the Minitar-1 Art lens is how sharp the focus can be when you shoot with a small aperture. So if you are one of those that like to shoot at night, get a tripod, add this to a late dark winter afternoon, and you will end up with a bunch of beautiful long exposures. This is what I did on my last trip to Europe.
My wife and I suffered a family loss in October 2013 so we decided to shift things around and have a celebration of life—a wedding, actually—to associate our loss with the beginning of something positive and memorable. We have been together for nearly 13 years and after getting married, we headed off on a three-month trip to South America and a few other stops to complete a round-the-world loop back to Australia.
12 New Media students from the University of Texas, all armed with Lomography cameras, travelled to New York City for an advanced studio art course in May 2016. They each shot one roll of film in a LomoKino per day, and the results were exciting and diverse. Read more here.
See the world in a whole new way with our Lomography Fisheye cameras! Selected editions now on sale at 20% off! Fisheye cases at 50% off! Order within the month and get a free Fisheye keychain with every camera, and a free Circle Cutter when you buy a Fisheye case with your camera!
A documentary photographer cannot possibly order a crowd to disperse neatly into his frame. The thing left to do is to compose with care. Move a bit here, crop that element there, find a pillar of interest. It's a matter of playing with the tide.
I have always loved the idea of seeing my photos on stone and other natural materials. So, a few months ago, I began googling how it could be done. This is how I discovered (and fell in love with) liquid emulsion. Liquid emulsion is photographic emulsion which you can melt down and paint on any surface. You can then expose an image and develop it using traditional darkroom chemicals. In this article, I would like to explain the process a little, so that if you are also interested in giving this fun process a go, you can!
Lomography is always on the lookout for experimental and creative film, because we want to keep the love for analogue alive! We’re devoted to continually adding new and exciting films to our ever-expanding collection of photography products, both from our own production line and partnering together with likeminded companies. So in our ongoing quest to do so, we have teamed up with our friends at KONO! The Reanimated Film to share a totally new and exciting film with you — KONO! Donau 35mm Film!
Doug DuBois spent five summers photographing the small neighborhood of Russell Heights in Ireland to capture the essence of coming of age: the inevitable loss of youth and the imminent transition into adulthood. Those four years resulted in his latest book, My Last Day At Seventeen. The book is a visual tale told through a collection of photographs and gives an alternative perspective through a comic narrative around the same subject. This creative combination of two distinct narratives in one book not only works wonderfully in visual terms; it also serves as an essential tool that lets the reader dig deeper into the story being told, making one go back to the book over and over again, yet from a new perspective, every single time.
With an expanded field of view and its ability to produce high quality images and capture minute detail, medium format photography has become the top choice of many photographers. Lomography is working hard to make sure that it keeps going with the continued production of medium format film and cameras. The current issue of German magazine FOTO HITS focuses on medium format photography. And with this rumble, we want to prove why medium format photography is king. Take your Diana F+, Holga 120, Lubitel 166+ or the new Lomo LC-A 120 and show us your best square shots!
The name Hodachrome is one of the most popular in the Lomography community. It has become synonymous with the acronym EBS, which stands for exposing both sides of the film. These multiple-exposed photos have an unmistakable style in the vein of ecstatic carnivals and exaggerated dreams. The man behind the vivid shots, Hodaka Yamamoto, talks to us about the habits of a good experimental photographer.